Actually, We're F**ked
In between scenes, the play's lighting (by Paul Miller) and sound (by M.L. Dogg) conspire to create a hallucinogenic, disorienting slideshow of animals and rotting metropolises " a reminder of the massively dysfunctional world in which the characters of "Actually, We're F**ked" are potentially raising children. Mind you, the question of whether or not to raise a child in 2019, along with lengthy discussions about gen…