Capitalizing on the Pull of Experimental Japanese Theatre
Shuntaro Matsubara's first contact with live theatre was in 2014, when he saw a production of German dramatist Bertolt Brecht's 1930 play Fatzer (aka Downfall of the Egotist Johann Fatzer) at the Kyoto studio of renowned director Motoi Miura, and his avant-garde company Chiten Only 26 years old at the time, and a little-known author […] The full version of the article Capitalizing on the Pull of Experimental Ja…