Love, Labor, Loop: (Object's) Life according to Geumhyung Jeong
The history of puppetry is full of supernatural bodies on stage that dramatically or subtextually represent their quest of coming to life and gaining autonomy from their masters. A puppet's performance often reflects on its condition of existence: How does a random object become an animated body on stage? This practical and theoretical question energizes […] The full version of the article Love, Labor, Loop: (Objec…