Review: An Inconvenient Black History of British Musical Theatre (1900-1950)
The Boy Friend. Oliver!. Cats. Blood Brothers. The Phantom of the Opera. Les Miserables. Billy Elliot. Matilda. If British musical theatre conjures images of whiteness, this is not by chance. White supremacy is a helluva drug. And, in accounts of British musical theatre histories, whiteness has been pervasive so much to the point that casual […] The full version of the article Review: An Inconvenient Black History …