'Camelot' Review: Aaron Sorkin's Rethink of a Beloved Broadway Musical Loses the Magic, in Every Sense of the Word
In Aaron Sorkin's revised script for Lincoln Center Theater's new Broadway production of "Camelot," the magic is missing " in more ways than one. The declared aim of the stage, TV and film writer ("To Kill a Mockingbird," "The West Wing," "The Social Network") was to eliminate the fantastical elements in the 1960 musical and […]