A Powerhouse Sarah Snook Takes On THE PICTURE OF DORIAN GRAY
Williams' cine-style quickly grows distancing and repetitive. Too often, Snook herself is out of view, available only by video; a few times she even leaves the stage entirely, leaving us alone with her pre-recorded selves. These choices suck the "liveness" out of the event. That distance is further heightened by the video work's distractingly high […] The post A Powerhouse Sarah Snook Takes On THE PICTURE OF DORIAN…