DON'T LOOK NOW New Wolsey, Ipswich & then Salisbury
A DARK SERENISSIMA   No pretty biscuit-tin Venice here, but rather its ancient darkness: Jess Curtis' artful set offers stark steps, corners, slotted openings into which half-glimpsed figures come and go; reflections glimmer in the water-shiny floor and backcloth, … Continue reading →