Reviewed by Marilyn Stasio
Elizabeth Swados has always gone her own way, and her new music-theater piece is stamped with some of her familiar idiosyncrasies: the childlike perspective; the atonal operatics; the surreal dramatic landscape; the thematic obsession with abused and abandoned children. It's a sensibility that fits right in at the Flea Theater, which maintains a resident ensemble of nimble young actor-singers, the Bats, happy to show…