<cite>Never Land</cite>, reviewed by Bob Verini
Is <cite>Never Land</cite> Utopia, the place where dreams are born (as Peter Pan once sang)? Or is it a euphemism for miserable reality—what Hamlet called this sterile promontory? Evidence for both is vividly provided in Phyllis Nagy's 1998 fantasia on cultural and psychic displacement, now enjoying its U.S. premiere under her direction. The dense, textured script is no cakewalk for either producer Rogue Machin…