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Boston Baroque moves heaven and earth by Thomas Garvey

Boston Baroque, with soloists, in action.I confess that "In the beginning," as the saying goes, I was nervous. As Boston Baroque essayed the famous opening bars of Haydn's The Creation (Die Schöpfung), which are meant to convey primordial chaos, things sounded, well . . . not exactly chaotic, but instead simply under-rehearsed. Entrances and exits felt perfunctory, and crucial crescendos and diminuendos just weren'…

SOURCE: The Hub Review at 12:24pm on October 25, 2011

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