Review: We Live Here
I don’t envy actress-turned-emerging-playwright Zoe Kazan; it’s hard to write a family play that steers clear of the usual tropes of long-simmering resentment and buried history. Her second work, We Live Here, arrives at Manhattan Theatre Club’s City Center space in the estimable hands of director Sam Gold, but at the end of the day, Kazan’s plays feels all too familiar, which, yes, breeds con…