Holding note
This week has been unexpectedly busy (in a non-theatrical manner), as the final copy edit for Black Spring arrived, marked "urgent", and has taken all of my time. And I also had to review Kate Lilley's fascinating book of poems, Ladylike (review now uploaded at Overland Journal). So I've been deleting commas and pondering Freud instead of writing about Roland Schimmelpfennig's The Golden Dragon,