Race on Boston's stages, Part I
The young Paul Robeson. Eighty years after his Othello, it's still rare to see an African-American, Latino or Asian Hamlet, Lear or Macbeth.This is the first in what I hope will be a series of conversations devoted to questions of race in the Boston theatre. In this post, I will be sharing space with my IRNE colleague Beverly Creasey, who covers theatre on her own blog, the Boston Arts Review (which, …