Dance review: Hansel and Gretel - Something very nasty beneath the woodshed
The reason fairy stories have endured in the collective consciousness is not just that successive generations have been offered them as childhood fare. It's that they give a manageable shape and form to our deepest adult fears. So it should come as no surprise that Liam Scarlett, whose last ballet tackled the murky world of the painter Walter Sickert and his possible identity as Jack the Ripper, is now peering into t…