Christopher Shinn's plays explore what victims do next
The playwright's 'Dying City,' now at Rogue Machine Theatre (and the new 'Teddy Ferrara' in Chicago), examines the damaged and what damage follows. NEW YORK — David Mamet has his hustlers, Edward Albee his domestic warriors, Tony Kushner his brilliant self-flagellators. If playwright Christopher Shinn has a signature character, it is the manipulative victim — the half-sympathetic, half-deplorable sort of …