Edinburgh International Festival: Eh Joe, Royal Lyceum
As Penelope Wilton recounts his appalling treatment of her predecessors and successors in Joe's bed, Michael Gambon's face is projected onto the gauze. Throughout the 30 minutes of the piece, he says not a word. We are aware of his hunched figure, wrapped in a rancid dressing gown, but it is the folds and craters of his face that tell us the story.