The El. Train, theatre review: 'the real draw is Ruth Wilson, here both acting and directing'
Three short one-acts plays by Eugene O'Neill are brought together in a snazzily tricked out old music hall in east London, given a speakeasy vibe complete with smokin' live jazz and a cocktail bar dubbed the Hell Hole after O'Neill's favourite haunt. As a performance space, it's high on atmosphere, if low on leg-room.