And the Prize Goes to the Puppet: 'All the Way' Is Riveting, and the Directorial Vision Behind 'Antony and Cleopatra' Is Brilliant
Bryan Cranston in 'All the Way.' (Photo by Joan Marcus) The curse, and the blessing, of an initials-based moniker is that those simple, monosyllabic sounds rhyme with so much. There's "Hey, hey, L.B.J., how many kids did you kill today?" the chant of the college-age protesters who successfully drove Lyndon Johnson from continuing his 1968 reelection campaign, but there was also its earlier, more hopeful counterpoint.…