Hotel, The Shed, National Theatre, review
Privileged dysfunctional families are to Polly Stenham what daffodils were to Wordsworth. You don't brace yourself for shocks reminiscent of Sarah Kane's Blasted, another piece set in a hotel room. At the start of her fourth play and National Theatre debut, we seem to be in familiar Stenham territory. A rich, damaged couple have just arrived with their posh, precocious kids at a remote luxury resort off t…