A new (and cheap) way to try shows out out-of-town.
A lot of folks come into my office with musicals underneath their arm. Â Some need rewrites, some need readings, and many need actual productions. Â Of course, that’s the hardest and most expensive thing to get. Â But there comes a point when every show needs one. Â Without a design, without choreography, without an audience, there’s only so much development you can do. That’s why one of the…