Review: "The Iceman Cometh" at BAM
by Samuel L. Leiter There's no question that Eugene O'Neill's barroom drama about the hopelessness of hope, The Iceman Cometh, is a superlative contribution from one of America's three top serious dramatists, worthy of respect as a modern classic. For me, it falls just shy of true greatness because of its inordinate length, something critics […]