HENRY IV, PART ONE (ANTAEUS): 92% " SWEET
BITTERSWEET More problematic (especially for purists) is a sometimes loose directorial rein on the scansion; allowing actors to emote through shifting emphasis may further character insight, but it comes at a cost. Though following the meter seems a curse, the pauses in mid-verse are surely worse. 'Tis clearer " and less likely to offend " […]