Chicago Theater Review: LA BÊTE (Trap Door Theatre)
A GOOD BÊTE Even though it's written in mostly rhymed couplets of iambic pentameter, David Hirson's 1991 play, La Bête, is by far the least avant-garde presentation at Trap Door I have seen. That means those who have been reticent to sample the East European alternate theater company can rest assured this is a most accessible […]