Chicago Theater Review: THE LITTLE FOXES (Goodman Theatre)
DIRTY DOINGS IN DIXIE In a way The Little Foxes is a complete complement to Margaret Mitchell's antebellum revisionism in Gone With The Wind (which appeared the same year as Lillian Hellman's mistresspiece). This nasty work also exposes the true South–greed, not glory–half a century later. Hellman's brilliantly constructed exposé of a monumentally dysfunctional Southern […]