Review: The Universal Wolf/Trap Door Theatre
I'd like to offer an analogy that I think Joan Schenkar, the rare American playwright at the European-leaning Trap Door Theatre, would approve of: "The Universal Wolf" is theater as ouroboros. Insistent on "deconstructing" – a French term for taking the piss, apparently – at every potential dramatic impasse, "The Universal Wolf" consumes itself until […]