'The Great Comet' Tails Away But The Broadway Songbook Lives At Feinstein's 54 Below
This weekend offers your last chance to see Natasha, Pierre and the Great Comet of 1812 in its wondrous Mimi Lien setting, elaborate and eccentric as a Fabergé egg, at the Imperial Theatre. Dave Malloy’s ambitious musical joins the ranks of misfires – Passing Strange and Bloody Bloody Andrew Jackson come to mind – that were passion projects derailed not so much by a misreading of the Broadway audie…