Broadway Review: In Ayad Akhtar's 'Junk', Barbarians Storm The Steel Gates
The image that greets us as we settle into our seats at the Vivian Beaumont Theater is a wall of numbers, divided into blocks, four over four, a grid with line after line of numbers. It’s the opposite of welcoming. It’s pprecisely where our minds tend to go when we’re told, It’s a story about finance. MEGO – you know the phrase: my eyes glaze over. If you’re like me, you think, thi…