Chicago Theater Review: EURYDICE (Promethean Theatre Ensemble at Athenaeum Theatre)
LEARNING TO BE DEAD Orpheus usually gets top billing in the classical Greek legend. He is of course the master of music who literally goes to Hell to retrieve his beloved Eurydice, abducted by Hades, king of the underworld. In Sarah Ruhl's deeply personal 90-minute one-act the emphasis is on the kidnap victim, not the […]