Chicago Theater Review: HIR (Steppenwolf Theatre)
DOMESTIC DISRUPTION From the start, a classic curtained proscenium conceals the utter disorder that detonates on Steppenwolf Theatre's sprawling mainstage. Hir, now in a Chicago premiere, is both the title and a gender-neutral pronoun combining "his" and "her" (and pronounced "heer"). Its relentlessly radicalized world is the creation of singer-songwriter/performance artist/playwright Taylor Mac (who prefers to [&…