Chicago Theater Review: THE HARD PROBLEM (Court)
DRAMATIZING WHAT CANNOT BE KNOWN Aerobic exercises for the cerebral cortex, Tom Stoppard's daunting dramas (The Real Thing, Arcadia, The Invention of Love) go for the gray matter. In perpetual motion and unstoppable talk, they ponder, posit, propose, rebut and refute. But none so deliberately as his 2015 screed The Hard Problem. Now in an […]