Tango Fire, The Peacock, London: A stripped-down spectacular by  zoë Anderson,  zoë Anderson

In a crowded field, German Cornejo's troupe is one of the most popular touring tango companies

SOURCE: The Independent at 8:12am on January 30, 2019☆⚑

Manon, London Coliseum, review: English National Ballet production features blazing performance from Alina Cojocaru by  zoë Anderson,  zoë Anderson

She lives in the moment, the character's conflicting wants playing out through her ardent dancing as much as her expressive face

SOURCE: The Independent at 7:32am on January 17, 2019☆⚑

Swan Lake, London Coliseum, review: English National Ballet's traditional production is danced with lively confidence by  zoë Anderson,  zoë Anderson

Tamara Rojo's casting of Isaac Hernández as the prince is vindicated by his bravura performance

SOURCE: The Independent at 10:18am on January 4, 2019☆⚑

Les Patineurs, Winter Dreams and The Concert review, Royal Ballet: A soufflé of an evening, with a very heavy middle by  zoë Anderson,  zoë Anderson

In recent years, The Royal Ballet has regularly presented a festive mixed programme, an alternative to the Christmassy charms of The Nutcracker

SOURCE: The Independent at 6:12am on December 19, 2018☆⚑

Matthew Bourne's Swan Lake, Sadler's Wells, review: All-male reinvention of the world's favourite ballet is still a marvel by  zoë Anderson,  zoë Anderson

First seen in 1995, this revival of Matthew Bourne's spellbinding production is as urgent as ever

SOURCE: The Independent at 8:36am on December 13, 2018☆⚑

The Nutcracker review, Royal Ballet, London: Inevitable Christmas performance has gorgeous dancing and impressive production by  zoë Anderson,  zoë Anderson

Anna Rose O'Sullivan, who danced Clara on opening night, is rising through the company's ranks and is well matched with the Nutcracker of Marcelino Sambé, whose star is already well risen

SOURCE: The Independent at 7:18am on December 4, 2018☆⚑

Layla and Majnun, Sadler's Wells, review: Music is the star of juicily choreographed tale by  zoë Anderson,  zoë Anderson

Choreographer Mark Morris brings unexpected factors to fore of this thousand-year-old tale

SOURCE: The Independent at 9:06am on November 14, 2018☆⚑

La Bayadère, Royal Opera House, London review: A night of powerful personalities and blazing dancing by  zoë Anderson,  zoë Anderson

The Royal corps were steady and expansive, with glowing lyricism in their swaying torsos

SOURCE: The Independent at 8:18am on November 6, 2018☆⚑

Fire & Fury, Sadler's Wells, London review: Birmingham Royal Ballet lacks theatrical weight by  zoë Anderson,  zoë Anderson

The company, however, are in very fine form this season, with dancing as bright as those flaming torches

SOURCE: The Independent at 8:32am on October 31, 2018☆⚑

Mayerling, Royal Opera House, review: A plunge into glittering darkness by  zoë Anderson,  zoë Anderson

Kenneth MacMillian's 40-year-old show tells the story of Crown Prince Rudolf of Austria, who died in a murder-suicide

SOURCE: The Independent at 6:24am on October 9, 2018☆⚑

William Forsythe, A Quiet Evening of Dance at Sadler's Wells, London review: Introspective and playful by  zoë Anderson,  zoë Anderson

Produced by Sadler's Wells, A Quiet Evening is Forsythe's first full-length programme since he closed The Forsythe Company in 2015

SOURCE: The Independent at 12:54pm on October 5, 2018☆⚑

Carlos Acosta: A Celebration, Royal Albert Hall, review: An uneven group of dances by  zoë Anderson,  zoë Anderson

The venue makes for a barn-like space that's awkward for theatre dance

SOURCE: The Independent at 7:06am on October 3, 2018☆⚑

Love Chapter 2, Sadler's Wells, London, review: Sharon Eyal's endurance test for the audience as well as the dancers by  zoë Anderson,  zoë Anderson

The disengaged style of L-E-V's dancers may be deliberate, making a point about the loss of love, but it becomes boring to watch

SOURCE: The Independent at 8:12am on July 16, 2018☆⚑