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50 stories by "Adam Foster"

Edinburgh Review: Newton's Cauldron, Paradise in The Vault by Adam Foster

Legend would have it that an apple once fell from a tree, hit someone’s head and helped them discover gravity. As in all such legends, this is almost certainly not true, but in Tim Fol…

SOURCE: A Younger Theatre at 11:16am on August 5, 2014

Edinburgh Review: Freak, Assembly George Square Studios by Adam Foster

In an age of Tinder and teenage trips to Malia, attitudes to sexuality are more liberal than ever. Phoebe Waller-Bridge tackled the subject at last year's Fringe with her award-winning Fleab…

SOURCE: A Younger Theatre at 11:14am on August 5, 2014

Edinburgh Review: The Horror! The Horror! " The Final Curtain, Bedlam Theatre by Adam Foster

The team behind 2012′s The Horror! The Horror! return with an appendage " and the final curtain of its title hangs like a guillotine over Alfred Brownlow’s variety troupe. Audien…

SOURCE: A Younger Theatre at 11:10am on August 5, 2014

Edinburgh Review: Cirque Tsuki: Birthday, C nova by Adam Foster

Invited to write a wish on kite-shaped paper and hang it on a twinkling tree, the opening moments of Cirque Tsuki: Birthday hint at the sort of intimacy and interactivity that can make this …

SOURCE: A Younger Theatre at 5:15am on August 4, 2014

Edinburgh Review: So It Goes, Underbelly Cowgate by Adam Foster

Sometimes it's easier not to talk. That's the logic of So It Goes, a wonderful piece of wordless storytelling by Le-Coq trained company On The Run. There are words of course, they just aren'…

SOURCE: A Younger Theatre at 4:50am on August 4, 2014

Edinburgh Review: Sister, Summerhall by Adam Foster

"You can still be a feminist and like getting cum on your face," says Amy Cade, a porn actress, escort and sex worker based in Berlin. Her sister, Rosana, is a shaven-headed lesbian. They ar…

SOURCE: A Younger Theatre at 4:32am on August 4, 2014

Edinburgh Review: How to Achieve Redemption as a Scot Through the Medium of Braveheart, Underbelly Cowgate by Adam Foster

Just as Jaws isn't really about sharks, How to Achieve Redemption as a Scot Through the Medium of Braveheart isn't about the independence referendum. Not really. Rachael Clerke's offbeat per…

SOURCE: A Younger Theatre at 4:24am on August 4, 2014

Edinburgh Review: Hiraeth, Underbelly Cowgate by Adam Foster

Just as the three sisters long for Moscow, Welsh-girl Buddug James Jones pines for the big smoke. Having grown up on a farm in West Wales she's desperate to leave, but knows doing so will sp…

SOURCE: A Younger Theatre at 4:42am on August 3, 2014

Edinburgh Review: Sex, With Benefits, Sweet Grassmarket by Adam Foster

While the content of this two-hander by Daniel Huntley Solon might once have been progressive,  its form is oddly outdated. That tension lies at the heart of Sex, With Benefits which sees…

SOURCE: A Younger Theatre at 4:31am on August 3, 2014

Edinburgh Review: Eden Gate, C nova by Adam Foster

How would you react in a crisis? That's the question at the centre of Eden Gate, an immersive promenade performance by Produced Moon. It's Edinburgh. 2017. The human race is being ravaged by…

SOURCE: A Younger Theatre at 4:52pm on August 2, 2014

Edinburgh Review: The Jungle Referendum, C nova by Adam Foster

Ah, the Scottish Referendum. With the vote on Scottish independence only weeks away, you'd think there'd be more shows at this year's Fringe looking to unpack some of the complexities surrou…

SOURCE: A Younger Theatre at 4:41pm on August 2, 2014

Review: The Art of Dying, Royal Court Theatre by Adam Foster

West-End wunderkind Nick Payne returns to the Royal Court Theatre Upstairs with another play about science. Directed with great clarity by Constellations collaborator Michael Longhurst and p…

SOURCE: A Younger Theatre at 5:15am on July 7, 2014

Review: National Theatre Connections 2014, National Theatre by Adam Foster

Now in its 20th year, Connections is the National Theatre's festival of new plays for young people. The productions selected to be performed here are the culmination of a year's activity in …

SOURCE: A Younger Theatre at 5:35am on July 4, 2014

Review: Wonderland, Hampstead Theatre by Adam Foster

‘Where are all the big plays?’ asked the Monsterists back in 2005. In Beth Steel’s Wonderland they have a massive one. In 2005, a group of playwrights led by David Eldridge…

SOURCE: A Younger Theatre at 6:48am on July 3, 2014

Review: The Great War, Southbank Centre by Adam Foster

What would it look like if you put a go-pro in the guts of the trenches? Probably something like this. In this ceaselessly inventive live animation performance, Dutch theatre ensemble Hotel …

SOURCE: A Younger Theatre at 6:12am on June 27, 2014

Review: Ted Bundy Project, Ovalhouse by Adam Foster

We know Greg Wohead is not Ted Bundy. We know that he stumbled upon Ted Bundy's confession tapes by accident on YouTube and couldn't stop listening. We know that he decided to make a show ab…

SOURCE: A Younger Theatre at 8:33am on June 23, 2014

Review: Quietly, Soho Theatre by Adam Foster

A Belfast pub. Jimmy (Patrick O'Kane) and Ian (Declan Conlon), two middle-aged men, are meeting for the first time. Jimmy is at the bar, sipping on a pint, when Ian walks in. Their eyes meet…

SOURCE: A Younger Theatre at 2:16pm on May 30, 2014

Review: Fleabag, Soho Theatre by Adam Foster

Fleabag is filthy. A potty-mouthed provocation of a play that deftly unpacks the complexities of contemporary feminism. But for all its mind-in-the-gutter hilarity, it is ultimately guilty o…

SOURCE: A Younger Theatre at 1:59pm on May 15, 2014

Review: Three Sisters, Southwark Playhouse by Adam Foster

  Anya Reiss has form when it comes to adaptations. Her version of Frank Wedekind’s Spring Awakening, a co-production between Headlong, West Yorkshire Playhouse and the Nuffield The…

SOURCE: A Younger Theatre at 7:45am on April 10, 2014

Review: I Found My Horn, Trafalgar Studios by Adam Foster

A middle-aged man wakes up to a broken marriage, a beckoning bedsit, and the realisation that he has done nothing to make himself memorable. Sound familiar? Yes, exactly. I Found My Horn was…

SOURCE: A Younger Theatre at 1:23pm on April 3, 2014

Review: Not I / Footfalls / Rockaby, Royal Court Theatre by Adam Foster

This is theatre as endurance sport. Not on account of its length " I’ve had far longer nights in the theatre " but I have not hitherto experienced a more intense theatrical event…

SOURCE: A Younger Theatre at 12:01pm on January 14, 2014

Blog: Points of departure " reflections on German theatre by Adam Foster

  I don't speak German. Not a word. So it was with some trepidation that I travelled to Berlin a couple of weeks ago to see Hedda Gabler directed by Stefan Pucher at the Deutsches Theat…

SOURCE: A Younger Theatre at 9:23am on January 2, 2014

Review: The El Train, Hoxton Hall by Adam Foster

Eugene O’Neill is one of the most celebrated playwrights of the twentieth century and the first American dramatist to win the Nobel Prize for literature. But while this trilogy of earl…

SOURCE: A Younger Theatre at 7:16am on December 17, 2013

Review: Don Juan: The Destiny of a Libertine, Cockpit Theatre by Adam Foster

The legend of Don Juan has been the subject of countless versions, adaptations and interpretations, from Patrick Marber to Mozart. Only last month Don Jon, a feature film written and directe…

SOURCE: A Younger Theatre at 7:21am on December 7, 2013

Review: Secret Theatre Show 3, Lyric Hammersmith by Adam Foster

*This review does not reveal the name or author of Show 3, but does contain some narrative, visual and locational spoilers*   "If you don't mind me saying doctor, this could appear s…

SOURCE: A Younger Theatre at 9:31am on October 25, 2013
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