By HowlRound TV. ArtsEmerson in Boston participates in the Ghostlight Project livestreaming on the global, commons-based peer-produced HowlRound TV network at howlround.tv on Thursday, Janua…
By Daniel Fine. In this installment, Daniel Fine discusses the intersections of sound and media design departments, offering a template for productive workflow.
By Teresa A. Fisher. Teresa A. Fisher discusses International Playwrights' Intensive, a new play development program that facilitates international collaboration for theatre for young audien…
By Sarah Matusek, Jocelyn Kuritsky. Sarah Matusek interviews Actor Jocelyn Kuritsky on founding the Muse Project, an initiative that empowers women actors to create and produce original work.
By Peter Sinn Nachtrieb. Peter Nachtrieb talks to nine other Bay Area-based playwrights about their connection to where they live.
By Donald Sanborn III. Donald Sanborn, III reports on the New York Musical Festival, discussing the landscape of original musicals.
By Paco José Madden. Paco Jos é Madden presents fifteen points for a play or other theatrical work to be considered feminist.
By Carolyn Kras. Playwright Carolyn Kras discusses The Subject Project, in which her period play, The Subject, serves as a tool for addressing sexual assault in both past and contemporary so…
By Brian Hashimoto. Brian Hashimoto travels to Poland and reports on the 2016 Malta Festival.
By Jess Barbagallo, Chris Giarmo. Jess Barbagallo and Chris Giarmo discuss design questions for Jess's play My Old Man (and Other Stories) and the recently increased interest in trans artist…
By Laura Lodewyck, Ricardo Gutiérrez. Laura Lodewyck interviews director Ricardo Gutiérrez about his production of Mando Alvarado's Parachute Men , produced at Teatro Vista as part of the …
By David Dudley, Howard Barker. David Dudley interviews playwright Howard Barker about writing for live actors versus marionettes.
By Diane Rodriguez. Keynote speech delivered by Diane Rodriguez at the Theatre Bay Area Conference on April 3, 2016.
By Maggie Sulc. In this first installment, Playwright Maggie Sulc shares her experience working and living in Canada, reflecting on successes and challenges.
By Michael Lueger. Michael Lueger talks with Brian Herrera about contemporary and historical conversations around casting Latinx characters and actors.
By Torange Yeghiazarian. In this installment of the Triple Play series, Artistic Director Torange Yeghiazarian shares Golden Thread Productions' process for creating space for conversations …
By Leda Hoffmann. In this installment for the Triple Play series, Director of Community Engagement Leda Hoffmann shares Milwaukee Repertory Theater's process for curating dialogue about new …
By HowlRound TV. Emerson College presents the panel discussion The Crisis in Casting for Stage and Media livestreaming on the global, commons-based peer produced HowlRound TV network at howl…
By Lisa Mallette. In this installment of the Triple Play series, Lisa Mallette writes about how City Lights Theater Company extends "radical hospitality" to all audience members.
By Joan Lipkin. Artistic Director Joan Lipkin discusses the inspiration and process for "Dance the Vote," a voting registration campaign in St. Louis, Missouri that included performances by …
By Café Onda. Following the success of the 2014 Encuentro, the LATC and LTC are now accepting applications to the 2017 Encuentro de las Americas ("Encuentro 2017"): Celebrating Dynamic Cont…
By verity healey. Frequent overseas contributor verity healey reports on the Belarus Free Theatre workshop exploring the intersection of how a true story about mental illness is portrayed on…
By Jonathan Mandell. Jonathan Mandell looks at some recent plays that explore this wackiest of election seasons in novel ways, and asks: Is mockery proper...or even possible?
By Andrew Jacobs. Andrew Jacobs discusses his senior theatre project in college, sharing his observations about what it means to create and maintain a socially responsible theatre on a local…
By David Dower. David Dower talks with Tony Taccone about his adaptation of It Can't Happen Here at Berkeley Rep, and what it means for an institution to program a new work that speaks direc…