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139 stories by "Alan Katz"

The Ugly One from Nu Sass (review) by Alan Katz

You would have to be quite the hermit to be missing the current cultural moment of the horrifying and sometimes violent interactions between bodies, sex, and power. With news full of the emp…

SOURCE: DC Theatre Scene at 2:42pm on November 21, 2017

The Real Americans at Mosaic Theater Company (review) by Alan Katz

In today's information age, where significant cultural moments flutter in and out weekly, topical theater may not age well. But sometimes, art speaks to fundamental fault lines in a culture,…

SOURCE: DC Theatre Scene at 3:06pm on November 14, 2017

Deb Sivigny's Hello, My Name Is … (review) by Alan Katz

Memory is a home we can't help but live in. Wandering from room to partitioned room, we reflexively replay the moments that define us in our search of what they mean for who we are. Deb Sivi…

SOURCE: DC Theatre Scene at 11:48am on October 25, 2017

An Interview With a Revolutionary: Natalia Kaliada of Belarus Free Theatre by Alan Katz

There is still dictatorship in Europe. Protestors are beaten in the streets. Artists and activists are tortured in prison. An iron-fisted strong man rigs elections and crushes all opposition…

SOURCE: DC Theatre Scene at 6:33am on October 25, 2017

Assassins from Pallas Theatre Collective (review) by Alan Katz

In the wake of an historically deadly mass shooting and a historically unpopular president comes a musical comedy of sorts about guns, presidents, and their tragic interplay from Lincoln to …

SOURCE: DC Theatre Scene at 9:24am on October 11, 2017

Ayad Akhtar's Disgraced at NextStop Theatre (review) by Alan Katz

Imagine the worst dinner party you could attend. Not the worst for company (everyone here is erudite and cosmopolitan), nor the worst for purpose (a celebration of achievement), nor the wors…

SOURCE: DC Theatre Scene at 12:54pm on September 12, 2017

Spectacle key to Rorschach's repeat Neverwhere (review) by Alan Katz

This DC theater season, several mid-sized theaters are delving into a trend recently popular among the bigger houses: remounting popular productions of previous years. Usually these shows sp…

SOURCE: DC Theatre Scene at 11:42am on September 7, 2017

Deep Cuts: a Lesson from Whipping's Beer Man by Alan Katz

In the past few days, as I've let Kathleen Akerley’s play Whipping, or The Football Hamlet (and this review) settle in my mind, I realize that my review perhaps comes off more harshly …

SOURCE: DC Theatre Scene at 12:18pm on August 22, 2017

Whipping, or The Football Hamlet (review) by Alan Katz

Whipping, or the Football Hamlet has rushed into CUA's Callan Theater with Kathleen Akerley calling this play as writer and director as she does most every humid DC August. As a theatergoer,…

SOURCE: DC Theatre Scene at 12:36pm on August 15, 2017

Review: As You Like It plays pastoral Prince George's parks by Alan Katz

Everyone has an idea of how Shakespeare "should" be performed: from the gorgeous flashiness of Shakespeare Theatre Company to the original practice imitations of American Shakespeare Center …

SOURCE: DC Theatre Scene at 1:09pm on July 21, 2017

Trey Parker's Cannibal! The Musical (Capital Fringe review) by Alan Katz

A man wanders onstage, a mad look above his riotous beard.  Another man comes on, petrified with fear, not seeing the disturbing maniac. With lightning speed, the bearded man pounces and …

SOURCE: DC Theatre Scene at 8:06am on July 17, 2017

One in Four (Capital Fringe review) by Alan Katz

If you’ve ever picked up a roommate from an online ad, you know that living with strangers can be, well, strange. In a world premiere from outer space-oriented Nu Puppis collective, th…

SOURCE: DC Theatre Scene at 7:32am on July 12, 2017

MacBheatha (Capital Fringe review) by Alan Katz

Alana Wiljanen made a good choice in calling her group's co-created Shakespeare adaptation MacBheatha, instead of the more famous Macbeth, Shakespeare's sordid tale of a Scotsman murdering h…

SOURCE: DC Theatre Scene at 7:32am on July 9, 2017

Mixed Blessings (Capital Fringe review) by Alan Katz

There are certain topics that one avoids on first dates. Like race, politics, religion, Moby Dick, your ex. Mixed Blessings is the story of how these topics can make a first date go spectacu…

SOURCE: DC Theatre Scene at 10:36am on July 7, 2017

Ulysses on Bottles from Mosaic Theater Company (review) by Alan Katz

You might be tempted to dismiss Ulysses on Bottles as a niche-appeal "issue play," but this first opening for Mosaic Theater since receiving the Outstanding Emerging Theater Company Aw…

SOURCE: DC Theatre Scene at 11:12am on May 24, 2017

Liesl Tommy's brilliant take on Macbeth (review) by Alan Katz

It's rare for traditional, big budget Shakespeare productions to find new angles on the major works of America's most-produced playwright, and even more rare for those angles to work well wi…

SOURCE: DC Theatre Scene at 12:06pm on May 9, 2017

A fresh and creepy Midwestern Gothic at Signature Theatre (review) by Alan Katz

If you get too weirded out by the second song in Signature's newest world premiere musical, Midwestern Gothic, where out-of-work mechanic Red takes Polaroids of his stepdaughter Stina in …

SOURCE: DC Theatre Scene at 12:24pm on April 3, 2017

Why Intelligence playwright, Jacqueline E. Lawton, was uniquely qualified to write a Valerie Plame-inspired play by Alan Katz

The hottest theater ticket in DC right now isn't to a blockbuster musical, a star-studded Shakespearean play, or a big-time production already contracted to hit Broadway. The ticket everyone…

SOURCE: DC Theatre Scene at 10:36am on March 1, 2017

Six Degrees of Separation at Keegan Theatre (review) by Alan Katz

Six Degrees of Separation shares much in common with Catcher in the Rye, the novel at the play's moral center. Both are full of terribly unlikable characters who can turn our loathing into s…

SOURCE: DC Theatre Scene at 12:06pm on November 10, 2016

A Kiss you'll not forget at Woolly Mammoth (review) by Alan Katz

American theater has been mucking about in the sandbox and, meanwhile, the playground, the school, and the entire world have been burning down around us. Those were my first thoughts…

SOURCE: DC Theatre Scene at 11:24am on October 18, 2016

FringePOP: Public (review) by Alan Katz

"Will film kill off the the theater?" This question, often asked in existential anxiety by theatermakers at an undersold performance, may be the wrong one. That seems to be the message from …

SOURCE: DC Theatre Scene at 3:34pm on October 9, 2016

Rorschach's Bid to Save the World (review) by Alan Katz

Everyone remembers their first contact with death. I don’t mean Death, though I assume that first face to "face” meeting in the no-longer flesh is quite memorable. I mean the fir…

SOURCE: DC Theatre Scene at 6:08am on September 15, 2016

Come From Away shines light on little-known 9/11 story (review) by Alan Katz

There's a certain somber and sober tone you expect from shows about disasters. Representations of recent genocides or terrorist attacks especially take on an almost religious nature, a hushe…

SOURCE: DC Theatre Scene at 11:56am on September 13, 2016

Seven Windows, Capital Fringe (review) by Alan Katz

In the storytelling cacophony that is the Capital Fringe Festival, it is easy to forget the pure beauty of bodies in space moving with discipline and grace. Seven Windows provides that eye-i…

SOURCE: DC Theatre Scene at 2:41pm on July 19, 2016

TARGET GOLDBERG (HELP! ROGUE GOVERNMENT AGENTS ARE TRYING TO FRAME ME!) Review by Alan Katz

"We all live in stories," says David J. Goldberg, actor, YouTube enthusiast, and, quite possibly, victim of a vast collusion of intelligence operatives who are conspiring to drive humanity i…

SOURCE: DC Theatre Scene at 4:52pm on July 18, 2016
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