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1,308 stories by "Alexis Soloski"

Thirty Years Later, Heidi Schreck Has Some Amendments by Alexis Soloski

The playwright and star of "What the Constitution Means to Me" visits the Founding Fathers and talks about breaking up with their creation.

SOURCE: The New York Times Subscription at 9:23am on February 25, 2019

Review: In 'Spaceman,' Floating in a Most Peculiar Way by Alexis Soloski

Leegrid Stevens's play follows an astronaut on her journey to Mars, as she checks her air pressure, fuel levels and mental health.

SOURCE: The New York Times Subscription at 5:36pm on February 17, 2019

Critic's Pick: Review: 'The Shadow of a Gunman' Is a Comedy That Goes Bang by Alexis Soloski

Sean O'Casey's tragicomic 1923 play has returned to the Irish Repertory Theater, the first production in a season devoted to his work.

SOURCE: The New York Times Subscription at 10:36pm on February 12, 2019

Freestyle Love Supreme review " Lin Manuel Miranda's hip-hop improv by Alexis Soloski

Greenwich House Theater, New YorkThe Hamilton creator's goofily entertaining show has been around since 2004 and in its new Manhattan home, it's more fun than everLin-Manuel Miranda, the alm…

SOURCE: The Guardian at 9:32pm on February 12, 2019

Review: 'The Light,' an Unexpected Mix of #MeToo and Rom-Com by Alexis Soloski

Loy A. Webb's tear-struck thesis play starts with an engagement and swerves into the territory of sexual-assault trauma.

SOURCE: The New York Times Subscription at 10:54pm on February 10, 2019

A Costume Designer With Low Budgets and High Style by Alexis Soloski

Whether he's capturing David Lee Roth or Bed-Stuy street style, Montana Levi Blanco's secret: an anthropological attention to detail and "amazing aggressive shopping."

SOURCE: The New York Times Subscription at 11:18am on February 7, 2019

Who Needs a Super Bowl Ad? Skittles Ups the Ante With a Broadway Musical by Alexis Soloski

Michael C. Hall, Will Eno and Sarah Benson team up for an unlikely, but very real production of "Skittles Commercial: The Broadway Musical."

SOURCE: The New York Times Subscription at 12:54pm on January 30, 2019

Review: In 'Skin,' More Than Words and Sometimes Less by Alexis Soloski

The members of Broken Box Mime Theater skip walking against the wind and trapped in a box in favor of pop culture capers and #MeToo inspired riffs.

SOURCE: The New York Times Subscription at 2:12pm on January 25, 2019

True West review " Ethan Hawke and Paul Dano go south in mediocre drama by Alexis Soloski

American Airlines Theatre, New York Sam Shepard's most popular play hits Broadway yet again but with underwhelming results True West, that drama of Cain-and-Abel family dynamics and masculin…

SOURCE: The Guardian at 5:32am on January 25, 2019

Backstage, a 'School of Rock' Staffer Faces Graduation by Alexis Soloski

Jill Valentine was head guardian for the musical, which closed Sunday, for almost four years, making sure the child actors were fed, watered and rested.

SOURCE: The New York Times Subscription at 2:32pm on January 21, 2019

'Intelligence' Review: A Diplomatic Mission That's All Improv, No Comedy by Alexis Soloski

Negotiators try to role-play their way out of global conflict in this gripping play by Helen Banner. It doesn't always make sense, but can still thrill.

SOURCE: The New York Times Subscription at 10:54pm on January 17, 2019

Choir Boy review " Tarell Alvin McCraney hits high notes on Broadway by Alexis Soloski

Samuel J Friedman TheatreThe Oscar-winning Moonlight writer transfers his musical to a bigger venue and, while there are missteps, the songs bring the house down "Tighten up." That's what th…

SOURCE: The Guardian at 9:48pm on January 8, 2019

The Clintons, Tootsie and Beetlejuice: what to expect on Broadway in 2019 by Alexis Soloski

The stage will see a host of star names over the next 12 months as well as yet more movie musicals and a much-anticipated drama about the ClintonsIf Broadway strides into 2019 without last y…

SOURCE: The Guardian at 5:24am on January 3, 2019

At Prototype, a Posthumous Play Revived as Chamber Opera by Alexis Soloski

Sarah Kane's "4:48 Psychosis" is presented in a way the composer, Philip Venables, hopes will make listeners appreciate joy and love.

SOURCE: The New York Times Subscription at 1:54pm on December 31, 2018

In 'Grey Rock,' a Palestinian Playwright Tackles the Ordinary by Alexis Soloski

Occupation is an ancillary concern in Amir Nizar Zuabi's new play, in which an everyday Palestinian man decides to build a moon rocket in a shed.

SOURCE: The New York Times Subscription at 3:18pm on December 30, 2018

7 Plays and Musicals to Go to in N.Y.C. This Weekend by Alexis Soloski

Our guide to plays and musicals coming to New York stages " and a few last-chance picks of shows that are about to close.

SOURCE: The New York Times Subscription at 5:54pm on December 27, 2018

Review: Writer of 'Nassim' Makes a New Best Friend at Every Show by Alexis Soloski

Nassim Soleimanpour, who remains silent throughout, invites a different actor to join him onstage at each performance and star in his unrehearsed play.

SOURCE: The New York Times Subscription at 5:18pm on December 14, 2018

To Kill a Mockingbird review " Aaron Sorkin spellbinds Broadway by Alexis Soloski

Sam S Shubert Theatre, New YorkThe Oscar-winning writer's controversial adaptation of the Harper Lee novel hits the stage with a splash and a strong central performance from Jeff DanielsAaro…

SOURCE: The Guardian at 10:12pm on December 13, 2018

Clueless: The Musical review " teen movie stage show is a lazy retread by Alexis Soloski

Pershing Square Signature CenterAmy Heckerling has brought her 1995 comedy classic to New York with lively choreography but a disappointing lack of charmThe best thing about Clueless: The Mu…

SOURCE: The Guardian at 9:54am on December 12, 2018

Tony Kushner: 'Trump has a sinkhole instead of a soul' by Alexis Soloski

He has spent his life dramatising America's angels and demons. As his civil rights musical returns to Britain, the playwright reveals all about revamping West Side Story for Spielberg " and …

SOURCE: The Guardian at 1:12am on December 12, 2018

The Cher Show review " Broadway musical is a mixed bag of pop excess by Alexis Soloski

Neil Simon Theatre, New YorkA jukebox ode to the megastar contains some dazzling numbers but suffers from some clumsy storytellingAt The Cher Show, there are three Chers onstage and lots mor…

SOURCE: The Guardian at 2:36pm on December 4, 2018

Review: 'The Good Swimmer' Stays Out of the Deep End by Alexis Soloski

Heidi Rodewald and Donna Di Novelli's song cycle at the Brooklyn Academy of Music is beautifully delivered but frustratingly opaque.

SOURCE: The New York Times Subscription at 2:18pm on November 29, 2018

How to Be a Stage Mother (No, Not That Kind) by Alexis Soloski

Stockard Channing, Glenn Close, Rosemary Harris and Mercedes Ruehl on loving fiercely and listening closely in four current plays.

SOURCE: The New York Times Subscription at 10:18am on November 28, 2018

Review: In 'All Is Calm,' Thrilling Song in the Trenches by Alexis Soloski

This World War I-set musical recounts a brief ceasefire when enlisted men on both sides buried their dead and exchanged small gifts.

SOURCE: The New York Times Subscription at 2:12pm on November 25, 2018

Critic's Pick: Review: At the Big Apple Circus, Discs Fly and So Do People by Alexis Soloski

The Big Apple Circus returns with oversize airborne cranberries, a steamy aerial ballet and a prancing pig.

SOURCE: The New York Times Subscription at 12:18pm on November 15, 2018
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