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1,308 stories by "Alexis Soloski"

Evening at the Talk House review " Wallace Shawn's dark comedy plays it safe by Alexis Soloski

Romulus Linney Courtyard Theatre, New YorkDespite a strong performance from a perfectly cast Matthew Broderick, this play about a play doesn't cut as deep as it shouldWallace Shawn is a play…

SOURCE: The Guardian at 10:54pm on February 16, 2017

Review: In 'A Man of Good Hope,' a Boy Wonders if America Is His Refuge by Alexis Soloski

Asad is a refugee whose refuge keeps receding, in this music drama, directed by Mark Dornford-May, at the Brooklyn Academy of Music.

SOURCE: The New York Times Subscription at 4:32pm on February 16, 2017

Review: A Hairy Visionary Who Has the Ruler's Ear by Alexis Soloski

"Beardo," the musical, is a louche, lewd and assertively weird fantasia on the life of Rasputin, now at St. John's Lutheran Church in Brooklyn.

SOURCE: The New York Times Subscription at 10:42pm on February 12, 2017

Review: In 'Fade,' Outsiders Find Each Other Thanks to a TV Crime Show by Alexis Soloski

This two-character play by Tanya Saracho centers on a Mexican-born woman who comes to Los Angeles to work in TV, and an American-born man who identifies as Mexican.

SOURCE: The New York Times Subscription at 10:18pm on February 8, 2017

'The Town Hall Affair' Recreates a Feminist Firestorm by Alexis Soloski

This piece by the Wooster Group was inspired by a 1971 debate that pitted Norman Mailer against some of the most outspoken feminists of the day.

SOURCE: The New York Times Subscription at 6:06pm on February 6, 2017

Critic's Notebook: He Said, She Said: Gender-Bending the Presidential Debates by Alexis Soloski

"Her Opponent," at the Provincetown Playhouse, reconsiders the 2016 campaign had the candidates' sexes been flipped.

SOURCE: The New York Times Subscription at 4:48pm on January 30, 2017

A Streetcar Named Desire review " Gillian Anderson haunts in vital staging by Alexis Soloski

St Ann's Warehouse, BrooklynBenedict Andrews' poignant new staging of Tennessee Williams's play, imported from London, feels utterly contemporaryTennessee Williams' play has travelled a rath…

SOURCE: The Guardian at 9:18pm on January 28, 2017

Review: Three-Ring Dread in La MaMa's One-Act Series by Alexis Soloski

Three plays are presented in "Author Directing Author," by Neil LaBute, Marta Buchaca and Marco Calvani, who direct one another's works.

SOURCE: The New York Times Subscription at 2:18pm on January 27, 2017

Review: 'Yours Unfaithfully,' on an Open Marriage and Its Pitfalls by Alexis Soloski

In this Mint Theater production " written by Miles Malleson in 1933 but only now having its world premiere " a couple weigh the merits of polyamory.

SOURCE: The New York Times Subscription at 11:04pm on January 26, 2017

Drama as Protest: 'Our Complacency Is Dangerous' by Alexis Soloski

For actors in the American premiere of Wallace Shawn's 2015 play, much changed after the election.

SOURCE: The New York Times Subscription at 3:54pm on January 25, 2017

Review: 'Peer Gynt' as Punk, With Soundtrack to Match by Alexis Soloski

This updated version of Henrik Ibsen's 1867 verse drama includes rock and pop songs as it centers on an adventurous Scandinavian lad.

SOURCE: The New York Times Subscription at 2:04pm on January 24, 2017

Review: 'The Oregon Trail' Traverses Tough Terrain in Two Different Eras by Alexis Soloski

This play by Bekah Brunstetter ("Oohrah!") follows a teenager in the 1990s through early adulthood, and a pioneer girl in the 1800s. Both are named Jane.

SOURCE: The New York Times Subscription at 10:42pm on January 22, 2017

Jitney review " August Wilson's playful and poignant drama is a triumph by Alexis Soloski

Samuel J Friedman TheatreExtraordinary performances help to bring the decorated playwright's 1979 script to life for the first time on BroadwayThe Broadway debut of August Wilson's Jitney by…

SOURCE: The Guardian at 11:48pm on January 19, 2017

Insult Tonya Pinkins? She Got There First. by Alexis Soloski

The actress finds herself the subject of taunts. She knows the culprit.

SOURCE: The New York Times Subscription at 6:54pm on January 17, 2017

Review: 'Mope' Examines Porn, Where a Man's Just the Sum of His Parts by Alexis Soloski

Paul Cameron's Hardy's new play at the Ensemble Studio Theater focuses on two actors, one a success in pornography, the other just a journeyman player.

SOURCE: The New York Times Subscription at 5:33pm on January 17, 2017

Review: Back in Black, in a White Snowscape, in 'La Mélancolie des dragons' by Alexis Soloski

Nothing much happens in this Under the Radar festival play about mellow headbangers by Philippe Quesne. But it's a wonderful nothing.

SOURCE: The New York Times Subscription at 5:12pm on January 11, 2017

Broadway blockbusters: why theater attendance is at an all-time high by Alexis Soloski

Box office records are being broken a theater-goers flock to popular shows " but what's behind the sudden surge?In early January, just days after the Times Square ball had made its annual pl…

SOURCE: The Guardian at 8:24am on January 10, 2017

The Present review: Cate Blanchett dares to find truth in Chekhov's trickiest play by Alexis Soloski

Ethel Barrymore Theater, New YorkAndrew Upton's Platonov is set in 1990s Russia, a country between communism and oligarchy. Between them, its star and Richard Roxburgh bring it fully to life…

SOURCE: The Guardian at 10:42pm on January 8, 2017

What to see on Broadway in 2017: Bette Midler, Amélie and a chocolate factory by Alexis Soloski

Big stars from Cate Blanchett to Sally Field and yet more stage adaptations of classic movies are set to dominate the boards in the new yearIf what's wanted is farce and tragedy, drama and v…

SOURCE: The Guardian at 11:04am on December 28, 2016

'Too Much Tuna': Dinner for One Unlucky Guest in 'Oh, Hello' by Alexis Soloski

The skit, which features a celebrity brought onstage, has become a highlight of "Oh, Hello on Broadway."

SOURCE: The New York Times Subscription at 6:24pm on December 23, 2016

'Too Much Tuna,' but the Dinner Is Free for One Unlucky Guest by Alexis Soloski

The skit, which features a celebrity brought onstage, has become a highlight of "Oh, Hello on Broadway."

SOURCE: The New York Times Subscription at 5:18pm on December 23, 2016

Cate Blanchett and Richard Roxburgh, in Love and Battle by Alexis Soloski

The Australian actors team up yet again onstage, this time in "The Present." It can't possibly end well, can it?

SOURCE: The New York Times Subscription at 6:18am on December 21, 2016

Allegiance review: George Takei can't save Broadway's mediocre pledge by Alexis Soloski

Musical revisits an important and shameful past of the internment of Japanese Americans but story on stage fails to deliver distinctive and rich performances The forced internment of 120,000…

SOURCE: The Guardian at 12:12am on December 14, 2016

Othello review " Daniel Craig and David Oyelowo dazzle in modern retelling by Alexis Soloski

New York Theatre WorkshopAn army barracks provides a striking setting for Sam Gold's take on Shakespeare's classic that minimizes questions of race and amps up toxic masculinitySam Gold sets…

SOURCE: The Guardian at 11:04pm on December 12, 2016

The best and worst of Broadway 2016: from innovation to ineptitude by Alexis Soloski

The year began downbeat and ended oddly, with Dear Evan Hansen and Heisenberg among the highlights as Cirque du Soleil fell flat with ParamourWhen history books come to discuss the Broadway …

SOURCE: The Guardian at 6:54am on December 12, 2016
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