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19 stories by "Alice Weleminsky-Smith"

Review: Connections, National Theatre by Alice Weleminsky-smith

Connections is the National Theatre's festival of new plays for young people. This is the festival's twentieth year, and the 2015 programme saw 10 new plays debuted over six nights, with …

SOURCE: A Younger Theatre at 7:40pm on July 8, 2015

Review: Hay Fever, Duke Of York's Theatre by Alice Weleminsky-smith

Hay Fever is over 90 years old and, unfortunately, it shows. Coward's comedy of errors about a dysfunctional family's disastrous attempt to entertain guests was not even that popular when it…

SOURCE: A Younger Theatre at 4:51pm on May 15, 2015

Review: Alex Horne: Monsieur Butterfly, Soho Theatre by Alice Weleminsky-smith

Alex Horne: Monsieur Butterfly is a very unusual comedy show. Whilst stand-up comedy could usually be described as 'someone standing still telling jokes for an hour, and maybe swinging th…

SOURCE: A Younger Theatre at 4:34pm on May 8, 2015

Review: Rules For Living, National Theatre by Alice Weleminsky-smith

Sam Holcroft's new play posits that everyone has coping strategies or 'rules' by which they live their life. In Rules for Living, we watch a family try to get through what becomes a more and…

SOURCE: A Younger Theatre at 3:45pm on March 26, 2015

Review: Buyer and Cellar, Menier Chocolate Factory by Alice Weleminsky-smith

Whilst the content of Jonathan Tolins's play Buyer and Cellar is entirely fictional, it is based on a completely wacky truth: acting and singing phenomenon Barbra Streisand has built a stree…

SOURCE: A Younger Theatre at 11:17am on March 21, 2015

Review: All The Things You Said You Never Said Before You Thought You Could Ever Say, Ovalhouse by Alice Weleminsky-smith

All The Things You Said You Never Said Before You Thought You Could Ever Say explores the struggles of one couple through four actors. Switching fluidly between different pairings through…

SOURCE: A Younger Theatre at 10:31am on March 21, 2015

Review: Oh What A Lovely War, Richmond Theatre by Alice Weleminsky-smith

Juxtaposing the upbeat, optimistic songs of the 1910s with the horrible truths of life at the Front, Oh What A Lovely War caused much more than a stir when it was first produced by Joan Litt…

SOURCE: A Younger Theatre at 5:42pm on February 11, 2015

Review: Molly Wobbly, Leicester Square Theatre by Alice Weleminsky-smith

Molly Wobbly tells the tale of the residents of Mammary Lane in the town of Little Happening. It's not a subtle show, and you can grab a pretty good sense of the plot from the place names al…

SOURCE: A Younger Theatre at 7:01pm on February 2, 2015

Review: Spamalot, Richmond Theatre by Alice Weleminsky-smith

For the first few scenes of Spamalot, I had the same reservations that many of the Monty Python members had when the show debuted in 2004. Why would I want to pay to watch non-Monty Python a…

SOURCE: A Younger Theatre at 8:25am on January 28, 2015

Review: Guilt & Shame: Going Straight, Soho Theatre by Alice Weleminsky-smith

When a show starts with the audience being given pink or blue hairnets depending on their gender, and various male audience members being asked to chug a beer, wank over a dirty mag and then…

SOURCE: A Younger Theatre at 8:19am on October 13, 2014

Review: April in Paris, Richmond Theatre by Alice Weleminsky-smith

April in Paris is a two-hander which revolves around the lives of Al and Bet, a northern couple who are struggling with the strains of unemployment, boredom, and each other. When she is not …

SOURCE: A Younger Theatre at 3:31pm on September 12, 2014

Review: Another Country, Richmond Theatre by Alice Weleminsky-smith

Julian Mitchell's inspiration for his 1981 play Another Country came from the exposure in 1979 of rich, public school educated, and even knighted, Sir Anthony Blunt as having been a Soviet s…

SOURCE: A Younger Theatre at 6:20am on July 15, 2014

Review: Armstrong's War by Alice Weleminsky-smith

Armstrong's War features just two characters " a young Canadian soldier who is recovering in hospital after a stint in Afghanistan, and a 12-year-old girl guide who comes to read to him so t…

SOURCE: A Younger Theatre at 1:16pm on August 30, 2013

Edinburgh Fringe Review: Lights, Camera, Improvise! by Alice Weleminsky-smith

(4/5 stars) After stand-up comedy, improvisation is probably the most prevalent form at the Edinburgh Fringe. It seems to be everywhere, and as all improv is really pretty much the same it's…

SOURCE: A Younger Theatre at 5:09am on August 22, 2013

Edinburgh Fringe Review: Blood Ties by Alice Weleminsky-smith

(4/5 Stars) How far would you go to help a friend? That's the question put to the characters in the musical Blood Ties who go to throw their friend a hen party, and end up having to help her…

SOURCE: A Younger Theatre at 10:09am on August 19, 2013

Edinburgh Fringe Review: Don't Wake Me: The Ballad of Nihal Armstrong with Jaye Griffiths by Alice Weleminsky-smith

(4/5 Stars) Nihal Armstrong is the son of Rahila Gupta, who wrote the script for this one woman show Don't Wake Me. Part poetry, part monologue, the story tells of the life of Nihal Armstron…

SOURCE: A Younger Theatre at 10:32am on August 18, 2013

Review: The Pitmen Painters by Alice Weleminsky-smith

How do you create a hit play? Take your last successful piece of writing, change a few details and make it into something new! Anyone who has not yet seen Lee Hall's brilliant play The Pitme…

SOURCE: A Younger Theatre at 10:51am on August 9, 2013

Review: Directors Showcase: The Burglar Who Failed & Dutchman by Alice Weleminsky-smith

No matter what the production, I always find a trip to the Orange Tree Theatre a treat, as its intimate in-the-round setting brings you so close to the action that it is almost like watching…

SOURCE: A Younger Theatre at 6:52am on July 1, 2012

Review: Coram Boy by Alice Weleminsky-smith

  Coram Boy is, at its core,an intensely brutal piece. Although it is adapted from a children's novel, it isn't light-hearted: scenes of murdered babies, child abuse and a teenager givi…

SOURCE: A Younger Theatre at 7:11am on April 27, 2011
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