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166 stories by "Aliya Al-Hassan"

BWW Review: PORGY AND BESS, London Coliseum by Aliya Al-hassan

After a disappointing start to the new season with the bizarre Salome, the ENO fights back with a towering production of the Gershwin brothers' Porgy and Bess. After nearly 80 years since it…

SOURCE: BroadwayWorld at 5:18am on October 14, 2018[SHARE]

BWW Review: SALOME, London Coliseum by Aliya Al-hassan

In opera, there is often nothing more dangerous than female sexuality. Salomeis a story where a woman's love becomes dangerous obsession, leading to bloodshed and necrophilia. From a feminis…

SOURCE: BroadwayWorld at 5:36am on October 7, 2018[SHARE]

BWW Review: JOURNEY TO THE UNDERWORLD, Pedley Street Station by Aliya Al-hassan

Immersive dining theatre seems to be in the in-thing in the capital at the moment. The result can be painful performances with even worse food, but happily Journey To The Underworldis an fun…

SOURCE: BroadwayWorld at 5:36am on October 7, 2018[SHARE]

BWW Review: STILL ALICE, Richmond Theatre by Aliya Al-hassan

Dementia is a difficult topic to tackle on stage, mainly due to the intensely internal struggle that the disease inflicts. Florian Zeller handled it beautifully in The Fatherand now Lisa Gen…

SOURCE: BroadwayWorld at 6:12pm on September 19, 2018[SHARE]

BWW Review: FOXFINDER, Ambassadors Theatre by Aliya Al-hassan

The English countryside in crisis, a couple grieving the death of their son and the fox as the deadly enemy of man. First seen to critical acclaim in 2011 at the Finborough Theatre, Dawn Kin…

SOURCE: BroadwayWorld at 3:42am on September 15, 2018[SHARE]

BWW Review: LOSING VENICE, Orange Tree Theatre by Aliya Al-hassan

In choosing Jo Clifford's comic satire Losing Venice,Artistic Director Paul Miller has served up another unique offering at Richmond's Orange Tree Theatre. Delightfully bonkers, idiosyncrati…

SOURCE: BroadwayWorld at 4:24am on September 12, 2018[SHARE]

BWW Review: UNEXPECTED JOY, Southwark Playhouse by Aliya Al-hassan

Take a feuding mother and daughter, a rebellious teenager granddaughter and throw in an outspoken lesbian feminist and you have the recipe for an unexpected treat at the Southwark Playhouse.…

SOURCE: BroadwayWorld at 5:33pm on September 8, 2018[SHARE]

BWW Interview: The KINKY BOOTS London Cast Talks Nostalgia, Audience Reaction and Acceptance by Aliya Al-hassan

It's now three years since Kinky Bootsstrutted its way into the West End. Based on a true story, the show follows Charlie Price who turns his father's failing shoe factory into a success by …

SOURCE: BroadwayWorld at 6:12am on September 7, 2018[SHARE]

BWW Review: QUEEN OF ROSES, London Cabaret Club by Aliya Al-hassan

As part of their 5th anniversary, the London Cabaret Club presents their new show Queen of Roses as a celebration of the reigns of Elizabeth I, Victoria and Elizabeth II. Originally a pop cl…

SOURCE: BroadwayWorld at 6:18am on September 2, 2018[SHARE]

BWW Review: LITTLE SHOP OF HORRORS, Regent's Park Open Air Theatre by Aliya Al-hassan

It's over 35 years since Little Shop of Horrorshad its off-Broadway debut, but it remains a consistent choice for revival. Now Director Maria Aberg brings a new version to Regent's Park Open…

SOURCE: BroadwayWorld at 3:36am on August 11, 2018[SHARE]

BWW Review: THE THREE MUSKETEERS, St Paul's Church by Aliya Al-hassan

It is 1626 and a young d'Artagnan heads for Paris, determined to join the King's Musketeers. After befriending legendary Musketeers Athos, Aramis and Porthos, the four friends quickly become…

SOURCE: BroadwayWorld at 4:33am on August 9, 2018[SHARE]

BWW Review: SILK ROAD (HOW TO BUY DRUGS ONLINE), Trafalgar Studios by Aliya Al-hassan

As the first play to be funded by Bitcoin, the origins of Alex Oates' play Silk Road are as intriguing as the contents. For those who are unfamiliar with the name, Silk Road was the now defu…

SOURCE: BroadwayWorld at 3:24am on August 8, 2018[SHARE]

BWW Review: SACRIFICE, Soho Theatre by Aliya Al-hassan

What would you do to achieve your dream of becoming an actor How long would you wait for the call that will change everything What would you suffer to be able to watch and wait for the dream…

SOURCE: BroadwayWorld at 4:18am on August 5, 2018[SHARE]

BWW Review: JOE STILGOE BAND, Ronnie Scott's by Aliya Al-hassan

There are live performers who bring a charisma and immediate sense of warmth and charm to the stage, along with an astounding talent. Joe Stilgoe is one such performer sliding onto the tiny …

SOURCE: BroadwayWorld at 5:12am on July 29, 2018[SHARE]

BWW Review: MADAGASCAR THE MUSICAL, New Wimbledon Theatre by Aliya Al-hassan

Based on the hugely popular Dreamworks animation, Madagascar The Musical brings the much-loved film to life in an energetic whirl of funky dance routines and quirky characters.After becoming…

SOURCE: BroadwayWorld at 3:48am on July 26, 2018[SHARE]

BWW Reviewers Reflect On Why We Return To Long-running Shows by Aliya Al-hassan

BWW Reviewers Reflect On Why We Return To Long-running Shows

SOURCE: BroadwayWorld at 5:06am on July 18, 2018[SHARE]

BWW Review: DID IT HURT?/HI. I'M DAVID, King's Head Theatre by Aliya Al-hassan

Fringe festivals can be places where performances are to be endured, rather than enjoyed. Fortunately, they can also showcase absorbing and innovative work. As part of Playmill, the King's H…

SOURCE: BroadwayWorld at 3:32am on July 15, 2018[SHARE]

BWW Review: BUT IT STILL GOES ON, Finborough Theatre by Aliya Al-hassan

To present the world premiere of a re-discovered play written by Great War veteran and poet Robert Graves in the centenary year of the First World War is something of a coup for the tiny Fin…

SOURCE: BroadwayWorld at 5:12am on July 13, 2018[SHARE]

BWW Review: LEGALLY BLONDE, New Wimbledon Theatre by Aliya Al-hassan

In this time of endless Brexit questions, the NHS in crisis and the world generally seeming to be going to hell in a handcart, a lighthearted and exuberant show like Legally Blonde is someti…

SOURCE: BroadwayWorld at 3:36am on June 19, 2018[SHARE]

BWW Review: 84 CHARING CROSS ROAD, Richmond Theatre by Aliya Al-hassan

In an age of Instant Messenger, Snapchat and Twitter, many of us may have never experienced the quiet thrill of receiving a handwritten, personal letter.84 Charing Cross Roadis James Roose-E…

SOURCE: BroadwayWorld at 3:18am on June 12, 2018[SHARE]

BWW Review: UTILITY, Orange Tree Theatre by Aliya Al-hassan

In many ways, the timing of the European premiere of American playwright Emily Schwend's award-winning play Utility could not be more prescient. The portrayal of a quotidian Texan family try…

SOURCE: BroadwayWorld at 3:42am on June 6, 2018[SHARE]

BWW Review: BEAUTIFUL THE CAROLE KING MUSICAL, New Wimbledon Theatre by Aliya Al-hassan

For those not around in 1971, it's easy to be ignorant of the huge impact that Carole King's seminal album, Tapestry, had at the time. Beautiful The Carole King Musical opens with King's con…

SOURCE: BroadwayWorld at 3:48am on May 23, 2018[SHARE]

BWW Review: IOLANTHE, Richmond Theatre by Aliya Al-hassan

Iolanthe is arguably one of Gilbert and Sullivan's finest works. This frivolous and frothy opera was successfully revived by the ENO earlier this year, but now returns as something a little …

SOURCE: BroadwayWorld at 3:42am on May 17, 2018[SHARE]

BWW Review: THE WINSLOW BOY, Richmond Theatre by Aliya Al-hassan

On the face of it, a play based upon a 13-year-old boy being expelled from his naval college for allegedly stealing a five-shilling postal order does not sound like the stuff of captivating …

SOURCE: BroadwayWorld at 2:36am on May 9, 2018[SHARE]

BWW Review: LOVE FROM A STRANGER, Richmond Theatre by Aliya Al-hassan

Director Lucy Bailey has solid form with adaptations of Agatha Christie stories her Olivier-award nominated version of Witness For The Prosecution is currently a hit at County Hall. She has …

SOURCE: BroadwayWorld at 4:06am on May 2, 2018[SHARE]
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