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166 stories by "Aliya Al-Hassan"

BWW Review: KINDERTRANSPORT, Richmond Theatre by Aliya Al-hassan

At a time when anti-Semitism appears dangerously current and desperate refugees flee their homelands, a revival of Diane Samuels' engrossing play Kindertransport could not be more timely. An…

SOURCE: BroadwayWorld at 3:18am on April 25, 2018[SHARE]

BWW Review: MAYFLY, Orange Tree Theatre by Aliya Al-hassan

Historically, Richmond's Orange Tree Theatre was a well-known champion of new talent. However, until now, Artistic Director Paul Miller and Executive Director Sarah Nicholson were yet to sta…

SOURCE: BroadwayWorld at 4:04am on April 24, 2018[SHARE]

BACK FOR GOOD: PASSION PLAY Is Aching To Be Revived by Aliya Al-hassan

In our new series, BroadwayWorld UK writers nominate the shows they'd love to see revived

SOURCE: BroadwayWorld at 4:30am on April 23, 2018[SHARE]

BWW Review: MUCH ADO ABOUT NOTHING, Rose Theatre by Aliya Al-hassan

o kick off it's 10th anniversary season, the Rose Theatre turns to Shakepeare to give it a needed boost. This new production of Much Ado About Nothing is not quite a hit, but still an entert…

SOURCE: BroadwayWorld at 5:33am on April 19, 2018[SHARE]

BWW Review: GREAT EXPECTATIONS, Richmond Theatre by Aliya Al-hassan

Following a chance encounter with an escaped convict, orphan Pip is given an unexpected opportunity to visit the reclusive Miss Havisham. In the decay and faded grandeur of her house, Pip fa…

SOURCE: BroadwayWorld at 5:02am on March 14, 2018[SHARE]

BWW Review: HUMBLE BOY, Orange Tree Theatre by Aliya Al-hassan

The first major revival of Charlotte Jones' play Humble Boy is another interesting choice by the Orange Tree's Artistic Director Paul Miller. It is surely a challenge to pull off a play that…

SOURCE: BroadwayWorld at 5:00am on March 13, 2018[SHARE]

BWW Review: CURTAINS, Rose Theatre by Aliya Al-hassan

It is Ida's 86th birthday, but it's a milestone she would rather have not reached. Her family wants to gather and celebrate, but she would rather be removed from her small world of pain and …

SOURCE: BroadwayWorld at 3:35am on March 1, 2018[SHARE]

BWW Review: THE WEIR, Richmond Theatre by Aliya Al-hassan

In essence, there is not much to Conor McPherson's intimate play four men drink in a remote Irish pub, entertain a female newcomer with ghost stories and then leave. However, The Weir is a t…

SOURCE: BroadwayWorld at 3:17am on February 28, 2018[SHARE]

BWW Review: STRANGERS ON A TRAIN, Richmond Theatre by Aliya Al-hassan

Strangers On A Train was a highly successful, taut thriller written by Patricia Highsmith in 1950. Master of suspense Alfred Hitchcock adapted it into a highly charged and provocative film n…

SOURCE: BroadwayWorld at 2:45am on February 21, 2018[SHARE]

BWW Review: IOLANTHE, London Coliseum by Aliya Al-hassan

Originally intended as a stinging satire on Victorian politics and the House of Lords in particular, Gilbert and Sullivan's supremely silly comic opera Iolanthe is in fine form as it returns…

SOURCE: BroadwayWorld at 5:33am on February 18, 2018[SHARE]

BWW Review: DR JEKYLL & MR HYDE, Rose Theatre by Aliya Al-hassan

Robert Louis Stevenson's gothic thriller has had such an impact on the public psyche that a reference to 'Jekyll and Hyde' is universally known as referring to a person with a dual personali…

SOURCE: BroadwayWorld at 4:08am on February 15, 2018[SHARE]

BWW Review: THE JUNGLE BOOK, Richmond Theatre by Aliya Al-hassan

For many people, theirfirst introduction to The Jungle Book is the Disney film of the same name. This new adaptation from Olivier award winner Jessica Swale deserves the effort of disassocia…

SOURCE: BroadwayWorld at 3:19am on February 8, 2018[SHARE]

BWW Review: LADY WINDERMERE'S FAN, Vaudeville Theatre by Aliya Al-hassan

Sex, equality, morality and fidelity are all issues currently in the forefront of many people's minds. As part of a year-long celebration of Oscar Wilde, Dominic Droomgoole's Classic Spring …

SOURCE: BroadwayWorld at 2:54am on January 24, 2018[SHARE]

BWW Review: SWAN LAKE, Richmond Theatre by Aliya Al-hassan

Swan Lake was Tchaikovsky's first ballet, but it is arguably his best known and well loved. The bewitching and ultimately tragic story follows Prince Siegfried as meets the beautiful but cur…

SOURCE: BroadwayWorld at 4:31am on January 20, 2018[SHARE]

BWW Review: AMADEUS, Olivier Theatre by Aliya Al-hassan

Greeted by rapturous reviews in 2016, Peter Shaffer's acclaimed production of Amadeus makes a triumphant return to the National Theatre this week. The enthralling story of a fictional confes…

SOURCE: BroadwayWorld at 3:13am on January 19, 2018[SHARE]

BWW Review: THE NUTCRACKER, Richmond Theatre by Aliya Al-hassan

There's no doubt it feels quite strange to be seeing a ballet set at Christmas time in the middle of January. It's a similar feeling to passing a house with a tree still up in the living roo…

SOURCE: BroadwayWorld at 3:19am on January 18, 2018[SHARE]

BWW Review: THE RAT PACK-LIVE FROM LAS VEGAS, Theatre Royal Haymarket by Aliya Al-hassan

The boys are back. Based on an imaginary night at the Sands Hotel, the three musical legends of Frank Sinatra, Dean Martin and Sammy Davis Jr. come together to perform a show featuring bante…

SOURCE: BroadwayWorld at 4:41pm on January 13, 2018[SHARE]

BWW Review: OVO, Royal Albert Hall by Aliya Al-hassan

It would be disingenuous to call Cirque Du Soleil simply a circus. The Canadian performance group are world famous and synonymous with incredible feats of physical strength and endurance. Si…

SOURCE: BroadwayWorld at 3:25am on January 11, 2018[SHARE]

BWW Review: THE CRYSTAL EGG LIVE, The Vaults by Aliya Al-hassan

What would you do if someone or something was watching you Adapted from the H.G. Well's short story, The Crystal Egg Live tells the story of Charley Wace, taken in by his eccentric Uncle Cav…

SOURCE: BroadwayWorld at 3:32am on January 8, 2018[SHARE]

BWW Review: A CHRISTMAS CAROL, Middle Temple Hall by Aliya Al-hassan

This Christmas there seem to be more productions of Dickens' festive tale than ever. This is the fourth revival of Antic Disposition's musical production of A Christmas Carol. Its return to …

SOURCE: BroadwayWorld at 3:28am on December 24, 2017[SHARE]

BWW Review: ALICE IN WINTERLAND, Rose Theatre by Aliya Al-hassan

With the success of last year's fantastical take on The Wind in the Willows, Kingston's Rose Theatre looks to another classic this year with Alice in Winterland, a new take on Lewis Carroll'…

SOURCE: BroadwayWorld at 3:47am on December 16, 2017[SHARE]

BWW Review: ALADDIN, Richmond Theatre by Aliya Al-hassan

To be frank, Christmas has not begun until you have seen Christopher Biggins sashaying across a stage to the Strictly Come Dancing theme tune in a fuschia pink fringed dress with giant red f…

SOURCE: BroadwayWorld at 2:59am on December 15, 2017[SHARE]

BWW Review: NUTCRACKER, London Coliseum by Aliya Al-hassan

The beautiful story of Clara and her enchanted Nutcracker doll is as much a part of Christmas as carols and novelty jumpers. The pair discover a magical world where they battle with the Mous…

SOURCE: BroadwayWorld at 3:06am on December 14, 2017[SHARE]

BWW Review: MISALLIANCE, Orange Tree Theatre by Aliya Al-hassan

Of all of Bernard Shaw's wonderful plays, it seems a brave and slightly odd choice for the Orange Tree theatre to choose to revive Misalliance. When the play premiered in 1910, it was hated …

SOURCE: BroadwayWorld at 3:35am on December 12, 2017[SHARE]

BWW Review: A CHRISTMAS CAROL, Old Vic by Aliya Al-hassan

There are many reasons why Charles Dickens' A Christmas Carol has been adapted endlessly. A cautionary tale of debt, ghosts, meanness of spirit and salvation set in a snowy Victorian Christm…

SOURCE: BroadwayWorld at 3:24am on November 30, 2017[SHARE]
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