8,601 stories by "American Theatre Editors"
One secret to the newly powerful social disruption unleashed by the bouffon and his ilk: They're laughing at you, not with you.
Garay-English is a global arts leader working on California-based, national, and international projects.
The acclaimed company has built a tripartite show about the space between us in which we must do a lot of the connecting.
How disabled performing artists are challenging ableism, building access, and imagining new worlds.
Disability inclusion can't simply be tacked on as an extra in theatre's budgets and planning; it must be intentional and funded. The good news is that it benefits everyone.
A roundtable of theatremakers talk about their work, how they make it, and models for inclusive spaces for both artists and audiences.
The theatre field is white-dominated, and disabled and D/deaf companies would seem to be no exception"unless we look deeper and think more intersectionally.
Now 30 years old, the Americans with Disabilities Act has made historic access achievements for audiences. Now how about access for performers and backstage workers?
Here are some folks to have on your radar, from writers to designers, from choreographers to arts administrators.
Meet the field leaders who helped us ideate and create this package of stories.
Help is on the way, but while there are resources available, no single expert is going to explain or fix it all for you.
The playwright of 'PrEP Play, or Blue Parachute' talks about expectations, intimacy, and the Zoom revolution.
Can a culturally appropriative murder mystery in the guise of a cooking class prevent war with Iran? Piehole's interactive new Zoom play aims to find out.
Simoness, who is also the company's executive director, will step aside in September, citing the importance of leadership turnover.
This month Brian surveys playwrights, directors, dramaturgs, and critics about the works they just can't shake, and why.
Yussef El Guindi's play 'Refugee Rhapsody' will receive a staged reading as part of the virtual 2021 Blue Ink Playwriting Festival.
Price, who joined the company in 2000, will turn her attention to personal artistic projects.
Autumn J. Mitchell, Jeremy Pesigan, and Citlali Pizarro will work in the Production, New Work, and Connectivity departments, respectively.
The annual award honors English-language writers from all over the world who are at any stage of their careers.
In this excerpt from the new novel 'We Play Ourselves,' a playwright navigates the highs and lows of an Off-Broadway opening night.
The critics look back on a year without live, in-person theatre as they go through their mailbag.
How a plan to teach 'Pipeline' and 'School Girls' grew into a curriculum stressing both the plays' universality and specificity on issues of race, colorism, and inequity.
Staging original works as audio dramas isn't just a pandemic workaround; it's also back-to-the-future turn to a resonant form.
Rooted as much in Michigan as Mosul, he lived to see both of his homes turn to sectarian violence and division.
A new project to put the focus on marginalized voices opens with a series showcasing under-sung plays, in hopes of seeding future productions.
