1,285 stories by "American Theatre Wing"
Marc Kudisch, currently appearing in "A Minister's Wife" at Lincoln Center Theater, talks about performing in a musical where the transitions between speaking and singing are instant and flu…
Joe Mantello talks about returning to the Broadway stage as an actor after a 17-year hiatus to play the role of Ned Weeks in Larry Kramer's "The Normal Heart" -- and what it's like to play a…
Theatrical Sculptor Nino Novellino specializes in creating sculpture and costume armor for theatre, ballet, opera, and film. Costume armor was first developed for the original production of …
Jason Robert Brown, who prefers the title "songwriter" over "composer," talks about why he spends so much time performing his own material and engaging directly with his fans. He discusses …
Playwright David Lindsay-Abaire talks about returning to his South Boston roots with the play "Good People", how the characters are amalgams of the people he grew up with in that private nei…
Theatrical Sculptor Nino Novellino specializes in creating sculpture and costume armour for theatre, ballet, opera, and film. Costume armour was first developed for the original production o…
Laurie Metcalf talks about her role in Sharr White's play "The Other Place" at MCC Theater, and the challenge of playing someone whose mental faculties are diminishing in a non-linear play, …
Special Effects Designer Gregory Meeh uses a vast array of technologies to build illusions for live stage productions. He has created pyrotechnic explosions and atmospheric effects such as r…
Co-director and choreographer of Broadway's "The Book of Mormon", Casey Nicholaw, talks about his initial reaction on reading the irreverent new musical and how it was to work with Matt Park…
Director of Community Engagement Anita Maynard-Losh leads all education and outreach programs at Arena Stage in Washington D.C. Her extensive background in arts education began with acting, …
Special Effects Designer Gregory Meeh uses a vast array of technologies to build illusions for live stage productions. He has created pyrotechnic explosions and atmospheric effects such as r…
From London, National Theatre artistic director Nicholas Hytner talks about his tenure leading that influential institution, including whether, as some have said, it was always his career go…
"Arcadia"'s Lady Croom, Margaret Colin, discusses grappling with the intellectuals concepts in the play, the experience of spending several days having Tom Stoppard explain them, and what it…
Director of Community Engagement Anita Maynard-Losh leads all education and outreach programs at Arena Stage in Washington D.C. Her extensive background in arts education began with acting,…
Royal Shakespeare Company veteran Janet Suzman discusses her early years with the company, including her daunting audition for for Peter Hall, John Barton and Peter Brook; her repertory role…
Costume Shop Manager Carol Hammond works closely with the costume designer, and deals with all of the logistics of costuming. She oversees costumes being shopped and built, fittings, budgeti…
Acclaimed for his works of fiction, non-fiction, philosophy, and theatre, Michael Frayn discusses how he determines when an idea is right for the stage when he has multiple forms to choose f…
Costume Shop Manager Carol Hammond works closely with the costume designer, and deals with all of the logistics of costuming. She oversees costumes being shopped and built, fittings, budget…
Austin Pendleton, director of the recent production of "The Three Sisters" at Classic Stage Company in New York, talks about the many Chekhov productions he's appeared in and directed over t…
Barry Grove, Executive Producer of the Manhattan Theatre Club, talks about his three-and-half decades of partnership with Lynne Meadow at the top of one of New York's largest not-for-profit …
Technical Director Mike Cristaldi supervises the installation and engineering of the physical production of a show. At Philadelphia Theatre Company, he coordinates all the technical element…
Elizabeth Marvel talks about whether being "a bad kid" has influenced her more daring stage performances, and discusses the challenges of remaining alienated from her on stage family in Jon …
Interviewed at the keyboard, composer Stephen Schwartz chronicles his career from college to "Wicked" and beyond. He explains how "Pippin" began as a college musical based on one paragraph i…
Theatrical Milliner Lynne Mackey makes customized hats for stage productions. Theatrical hats are created for a specific show, character, and costume design, fitted for each individual acto…
While playing both a farmer and his wife in Red Bull Theatre Company's "The Witch of Edmonton", Everett Quinton talks about appearing in Jacobean drama and getting to watch the rest of the c…
