John Patrick Shanley (#97) April, 2006
With his newest play Defiance premiering at Manhattan Theatre Club and the award-winning Doubt entering its second year on Broadway, John Patrick Shanley talks about the evolution of his tri…
With his newest play Defiance premiering at Manhattan Theatre Club and the award-winning Doubt entering its second year on Broadway, John Patrick Shanley talks about the evolution of his tri…
Nearing the end of her run in David Lindsay Abaire's "Rabbit Hole", Cynthia Nixon discusses the experience of listening to audiences at every performance of this emotional play, how she chos…
Composer Michael John LaChiusa explains his longtime fascination with the works of Lorca, which led to his new musical work "Bernarda Alba"; how he transformed a trio of Japanese stories int…
Two-time Tony winner Jonathan Pryce describes his journey from a small political theatre company in England to being the star of such musicals as "My Fair Lady" in London, "Miss Saigon" in L…
During previews for the new musical "Bernarda Alba", director-choreographer Graciela Daniele recalls being compelled to explore American musical theatre after encountering "West Side Story" …
Malcolm Gets talks about being groomed for musical comedy from his very earliest years, his sudden transition from Radio City Christmas Spectacular dancer to Yale School of Drama graduate st…
"The Color Purple"'s LaChanze talks about The Oprah Effect on that show, as well as her personal identification with the challenges faced by her character Celie; reflects on her fruitful art…
With Adam Rapp's "Red Light Winter" marking another export from Chicago to New York for the Steppenwolf Theatre Company, Steppenwolf's artistic director Martha Lavey talks about the company'…
While Mrs. Lovett playing the tuba may seem strange to some, "Sweeney Todd"'s Patti LuPone explains that she's no stranger to the tuba, as she recalls her years in the high school band, as w…
When theatre fans peruse the Sunday New York Times, the vast majority of Broadway ads they see are the work of the dominant theatre agencies: Serino Coyne and SpotCo. The CEOs of each compan…
Sarah Jones talks about the shift from slam poet to Broadway star, performing at United Nations, the melting pot of Queens, NY, and what its like to have Meryl Streep as your number one fan.…
In the midst of a retrospective season at Signature Theatre in New York in 2004-2005, Pulitzer Prize-winner Paula Vogel talks about her "overnight success" with "How I Learned to Drive" afte…
Donald Margulies talks about his Broadway experiences during the run of "Brooklyn Boy" in 2005, as well as the experience of revisiting "Sight Unseen" with Manhattan Theatre Club more than a…
Straddling the worlds of musical comedy and rock and roll, "Sweeney Todd"'s Michael Cerveris talks about how his extensive work with Stephen Sondheim makes it hard to sing more conventional …
Legendary composer Jerry Herman plays and sings snippets of some of his most famous compositions as he recalls the creation of such seminal musicals as "Hello Dolly", "Mame" and "La Cage aux…
With the cast album of "Dessa Rose" now in stores, here's the "Downstage Center" March 2005 interview with Lynn Ahrens and Stephen Flaherty in which they survey their career from jingle writ…
One of the busiest directors in New York, Tony-winner Doug Hughes, talks about revisiting "Doubt" with a new cast; how he handles the heightened expectations for "Defiance", his next collabo…
Stage veterans Rosemary Harris and John Cullum talk about meeting for the very first time to play husband and wife in Ariel Dorfman's "The Other Side", discuss their feelings about seeing th…
Audra McDonald recounts her start in theatre as an alternative to therapy for childhood hyperactivity, her teenage years at small theatres in northern California (including her performance a…
Early in his first season at the helm, Oskar Eustis, the new artistic director of The Public Theater, talks about his plans for that seminal theatrical institution, both on stage and off, le…
Michael Ball discusses straddling the worlds of musical theatre and pop music in his native England, as well as the irony of returning to the Broadway stage after 15 years to gain greater re…
Director-choreographer Susan Stroman charts her career from her early days as a chorus member in regional theatre to her triumph with "The Producers" to her work with Nathan Lane bringing St…
Gary Beach takes off his "La Cage aux Folles" feathers to discuss playing Zaza in the musical's first Broadway revival, his Tony-winning success in "The Producers" and even his lesser known …
During the Off-Broadway run of "The Foreigner", Matthew Broderick addresses whether he's really as shy as news reports would portray him, talks about his early years growing up in New York a…
Playwright Christopher Durang contemplates issues of faith, family, humor and falling space debris during the concurrent runs of his new play "Miss Witherspoon" in New York and his new music…