1,920 stories by "Arts Fuse Editor"
Horror fans in search of a smarter-than-average thriller that will make their viscera quiver should not miss this one.
A United Kingdom's astute reflections on racial and economic realpolitik makes this film far more than a love story.
Eva Maze drops names and paints a heady picture of the high life, but she does so with the disarming charm that permeates most of her memoir.
One of my favorite quotes from Gil Evans is, "Quit playing what you think I want you to play!"
Personal Shopper poses questions about how technology and fashion are skewing our relationships and obliterating traditional notions of identity.
Penobscot Theatre Company is staging Monica Wood's moving and thoughtful play about a real life labor dispute in Maine.
So much goes on over the course of Live From the Fox Oakland that the TTB upends the notion of a band "settling" into a sound.
Jason Anick, on violin and mandolin, and Jason Yeager, on piano, showed off just how exhilarating it can be to kick down musical walls.
Simplicity is its genius; some call "Roadrunner" the first punk song for a reason.
Silent Sky is a moving and thoughtful play; it is well worth the gaze of any serious theatergoer. Silent Sky by Lauren Gunderson. Directed by Dori A. Robinson. Staged by Flat Earth Theatre a…
The Lure is often violent and disturbing, but its exuberance and unapologetic strangeness make it one of the most memorable foreign films in recent years.
Children's connections to one another are layered and complex, and their understanding of the adult world more sophisticated than we usually allow.
BODYTRAFFIC seems to be invested in a relentless likeability.
Arts Fuse critics select the best in film, dance, theater, music, and author events for the coming weeks.
If there is such a thing as upbeat melancholia, then Jens Lekman has got it down pat.
Nora Theatre Company's thoughtful production of Precious Little will encourage you to dig a little deeper into yourself.
The nagging question: why didn't the ICA didn't create a building that offered options to be developed vertically?
I was looking forward to XX because it was horror, it was an anthology, and because all four pieces were directed by women.
Neal Brennan's mix-and-match of styles manages to combine deadpan sensibility with shocking poignancy.
Any performance of Meredith Monk's is spare to the point of enigma, and also tremendously evocative.
This endearing but unsentimental film explores the myriad connections that many Istanbul residents have to their feline neighbors.
The imperative to engage with landscape, and thus leave or at least minimize the self, has become of great importance to Peter Handke.
A beautiful, if somewhat meandering, series of vignettes on the writer's lifelong relationship with cigarettes.
Arts Fuse critics select the best in theater, film, music, author events, and dance for the coming weeks.
Like a lot of first efforts by prospective masters, Artifact is loaded with ideas.
