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178 stories by "Bob Ashby"

Review: 'Jerusalem' at Fells Point Corner Theatre by Bob Ashby

People staying when they need to go; people going when they long to stay. People hanging on to bits of myth and legend, or a bit of land, in the face of overwhelming forces of economic logic…

SOURCE: DC Metro Theater Arts at 8:46pm on January 19, 2019[SHARE]

Review: 'Measure for Measure' at Green Globe Theatre by Bob Ashby

There is some uncanny and rather dismaying contemporary resonance in Shakespeare's Measure for Measure, now playing at Baltimore's Green Globe Theatre. The virginal Isabella (Grace O'Keefe),…

SOURCE: DC Metro Theater Arts at 9:33am on December 26, 2018[SHARE]

Review: 'Blithe Spirit' at Spotlighters Theatre by Bob Ashby

British comedies considerably older than Noel Coward's 1941 Blithe Spirit enjoy frequent, high-spiritedly successful revivals. Think The Importance of Being Earnest or Charley's Aunt (a s…

SOURCE: DC Metro Theater Arts at 8:05pm on December 16, 2018[SHARE]

Review: 'The Rocky Horror Show' by Iron Crow Theatre by Bob Ashby

When the pre-show features an audience participation orgasm contest, can things possibly get any wilder? Yes indeed, as Iron Crow Theatre's Rocky Horror Show readily proves. Rocky has always…

SOURCE: DC Metro Theater Arts at 2:15pm on December 16, 2018[SHARE]

Review: 'Striking 12' by Free Range Humans at BlackRock Center for the Arts by Bob Ashby

Striking 12 is a striking exception to the mandatory Christmas sappiness occupying most entertainment venues this time of year. It's set at holiday time, but the holiday in question is New Y…

SOURCE: DC Metro Theater Arts at 2:43pm on December 14, 2018[SHARE]

Review: 'How to Keep an Alien' at Solas Nua by Bob Ashby

Love is unique. It is an intense bond of emotion, desire, and care between two people, deeply special to one another, that for them cannot be duplicated anywhere on Earth. Bureaucracy must r…

SOURCE: DC Metro Theater Arts at 9:49pm on December 3, 2018[SHARE]

Review: 'Charley's Aunt' at Fells Point Corner Theatre by Bob Ashby

At 126 years old and still going strong, Charley's Aunt by Brandon Thomas has lost none of its power to tickle an audience's funny bone. Fells Point Corner Theatre's production keeps t…

SOURCE: DC Metro Theater Arts at 8:59pm on December 1, 2018[SHARE]

Review: 'Silver Bells' at The Way Off Broadway Dinner Theatre by Bob Ashby

For people seeking holiday entertainment in the Frederick area who might seek an alternative to A Christmas Carol, or The Nutcracker, or It's a Wonderful Life, or one of the endless cavalcad…

SOURCE: DC Metro Theater Arts at 2:32pm on November 28, 2018[SHARE]

Review: 'Running on Glass' at Venus Theatre by Bob Ashby

Cynthia Cooper's Running on Glass, playing at Laurel's Venus Theatre, celebrates six pioneering female athletes, all of whom had to overcome barriers not only of gender but of race, class, i…

SOURCE: DC Metro Theater Arts at 10:32pm on November 19, 2018[SHARE]

Review: 'Anything Goes' at Arena Stage by Bob Ashby

"De-Lovely" doesn't even begin to cover it. Arena Stage's production Anything Goes is as close to musical theater heaven as you can get. Cole Porter's classic melodies and innuendo-laden lyr…

SOURCE: DC Metro Theater Arts at 8:29pm on November 15, 2018[SHARE]

Review: 'The Toxic Avenger' at Greenbelt Arts Center by Bob Ashby

The small, low-ceilinged theater at the Greenbelt Arts Center, with intimate seating arrangements and limited space for sets, is a natural habitat for The Toxic Avenger, a quintessential sma…

SOURCE: DC Metro Theater Arts at 9:58pm on November 4, 2018[SHARE]

Review: 'A Chaste Maid in Cheapside' by The Baltimore Shakespeare Factory by Bob Ashby

Moved by an impulse analogous to the original instruments movement in early music, Baltimore Shakespeare Factory (BSF) is dedicated to mounting the Bard's plays and those of his contemporari…

SOURCE: DC Metro Theater Arts at 10:43am on October 29, 2018[SHARE]

Review: 'Illyria, or What You Will' by Avant Bard by Bob Ashby

Illyria is fabulous, darlings. The clothes are to die for. The décor is out of its 1980s mind. The music is as eclectic as it is electric. And plot elements and characters drawn from Twelft…

SOURCE: DC Metro Theater Arts at 5:16pm on October 25, 2018[SHARE]

Review: 'Henry V' by Faction of Fools by Bob Ashby

A current exhibit at the Folger Shakespeare Library explores Winston Churchill's admiration for Shakespeare, above all the World War II-era patriotic inspiration of Laurence Olivier's film o…

SOURCE: DC Metro Theater Arts at 10:14pm on October 23, 2018[SHARE]

Review: 'Chocolate Covered Ants' by Restoration Stage at THEARC by Bob Ashby

Hurt people hurt people: a cliché, yes, but one that helps understand many of the characters in Steven A. Butler, Jr.'s Chocolate Covered Ants, revived in Restoration Stage's gorgeous new h…

SOURCE: DC Metro Theater Arts at 7:54pm on October 19, 2018[SHARE]

Review: 'The Fall' at Studio Theatre by Bob Ashby

The passionate purity, the incandescence of engaged young people whose hearts are touched with fire, contending against oppressive institutions burns bright in the 2015 South Africa depicted…

SOURCE: DC Metro Theater Arts at 2:41pm on October 16, 2018[SHARE]

Review: 'The Addams Family' by Silhouette Stages by Bob Ashby

It's all together ooky, The Addams Family. That's a good thing, of course. Save for one chronic, annoying flaw, Silhouette Stages' production of the show is a comic delight, well sung and da…

SOURCE: DC Metro Theater Arts at 11:21am on October 14, 2018[SHARE]

Review: 'Street Scene' by Virginia Opera by Bob Ashby

Kurt Weill's varied score, Langston Hughes' eloquent lyrics, a powerful book by playwright Elmer Rice, and a quality ensemble cast combine in Virginia Opera's production of Street Scene, to …

SOURCE: DC Metro Theater Arts at 2:40pm on October 8, 2018[SHARE]

Review: 'Heisenberg' at Signature Theatre by Bob Ashby

Simon Stephens' Heisenberg, now playing at Signature Theatre, begins with two souls in hiding. Georgie Burns (Rachel Zampelli) hides whatever pains and losses she has suffered behind her fre…

SOURCE: DC Metro Theater Arts at 10:29am on September 29, 2018[SHARE]

Review: 'Cabaret' by the Fredericktowne Players by Bob Ashby

The Emcee is worth the price of admission, and then some. In The Fredericktowne Players' production of the Kander/Ebb hit, Cabaret, Lenore Mionette Florez is spectacular as the impresario…

SOURCE: DC Metro Theater Arts at 7:58pm on September 22, 2018[SHARE]

Review: 'Hand to God' at Maryland Ensemble Theatre by Bob Ashby

So what sort of play is Hand to God? Dysfunctional family drama? Teen coping with angst saga? Angry satire on a particular style of Christianity? Scenario for a horror movie?  Raunchy …

SOURCE: DC Metro Theater Arts at 4:01pm on September 9, 2018[SHARE]

Review: 'South Pacific' at Olney Theater Center by Bob Ashby

No one is from there. They come from France, Vietnam, Cleveland, Philadelphia, Little Rock, and a host of unnamed American cities. Espiritu Santo, the main island setting of Rodgers and Hamm…

SOURCE: DC Metro Theater Arts at 10:35am on September 8, 2018[SHARE]

Review: 'Passion' at Signature Theatre by Bob Ashby

Stephen Sondheim's Passion, now playing at Signature Theatre, has two of the greatest songs in the composer's brilliant portfolio " "I Wish I Could Forget You" and "Loving You" " and three c…

SOURCE: DC Metro Theater Arts at 1:49pm on August 23, 2018[SHARE]

Review: 'Melancholy Play: A Contemporary Farce' at Constellation Theatre Company by Bob Ashby

In Jonathan Dahm Robertson's set for Constellation Theatre Company's production of Sarah Ruhl's Melancholy Play: A Contemporary Farce, a collection of two-dimensional doors is depicted on th…

SOURCE: DC Metro Theater Arts at 10:18pm on August 14, 2018[SHARE]

Review: 'Chicago' at Other Voices Theatre by Bob Ashby

Chicago, now running at Other Voices Theatre in Frederick, has a long and winding history. In 1924, Chicago reporter Maurine Watkins covered the sensational trials of Belva Gaertner and B…

SOURCE: DC Metro Theater Arts at 8:15pm on August 5, 2018[SHARE]
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