By Rob Hartmann After seeing SOUTHERN COMFORT at CAP21, I sat down to have a conversation with the writers " bookwriter/lyricist Dan Collins and composer Julianne Wick Davis. We met at Incog…
Rather than the previously scheduled The Addiction Diaries: Dancing with Demons,The Love Show will present the NYC debut of Sex Magic. The show has wowed crowds in Pennsylvania, New Jersey a…
By Anthony James Host In January of 1998, at the age of 9, I was home from school on a snow day watching The Rosie O'Donnell show. She always had such wonderful guests and lots of funny bits…
By Byrne Harrison Michael Putman Estwanik was raised in Cleveland and graduated from Boston College with majors in Psychology and Theatre Arts. In the 1970s he served as Dean of Admissions…
Review by Judd Hollander Photos by Kevin Thomas Garcia Taking potshots at the hypocrisy of the white upper middle class has long been a favorite pastime of playwrights. Where someone like an…
Producer Steve Margetis and Ethos Performing Arts proudly present the New York Premiere of The Family Room, a dramedy written by Emmy Award nominee Aron Eli Coleite and directed by Gwenyth R…
Michael Estwanik, president and founder of The American Songbook Project, announced today the judging panel for the "Name That Tune" costume gala benefit to be held at the historic Hudson Th…
In a time when protesters are occupying Wall Street and everybody is questioning our country's financial system, Horse Trade Theater Group will present the 2011 Edinburgh Fringe Festival hit…
Review by Judd HollanderPhotos by Carol Rosegg File this one under "B" for "Black Comedy" and "H" for "Hilarious" as playwright Bruce Graham uses his work Any Given Monday to put a delightfu…
The American Songbook Project, a non-profit organization that brings American music programs back into New York public schools, will honor legendary composer Jerry Herman and Guild Hall (Eas…
Mike Daisey, Dan Lyons, and Robert Krulwich Assess "The Legacy of Steve Jobs" On October 23Anne Hathaway To Host November 21 Public ForumSam Waterston Joins Discussion of "Does Culture Make …
Review by Rob Hartmann Southern Comfort (playing through October 29th at CAP 21 Theatre Company) is a new musical adaption of Kate Davis' award-winning 2001 documentary about the life and de…
By Rob Hartmann A conversation with Sheri Sanders about adventures in reality television, NYMF, and telling the truth through music. After reviewing her book, Rock the Audition: How To Prepa…
Review by Sacha Tengler The Brain That Wouldn't Die! In 3-D!!! is a musical spoof of the 1962 film "The Brain That Wouldn't Die," a sci-fi flick "so bad it's good." The original film,…
This month's title photo comes from Rachel Klein's The Tragedy of Maria Macabre, a dance piece which will be performed at the Wild Project (195 East 3rd Street between Avenues A and B) Octob…
I am pleased to welcome our new fall intern, Anthony Host. Anthony will be with us for the rest of the year, at which point he will be moving to New York and joining those of us who ar…
Review by Greg WaagnerThe sound of water is not unusual on Cape Cod. There's the sound of the waves on the shore, a sprinkler in the garden, the battering rain of an …
 The Weight of Water Myra Slotick, Geany Masai, David Drake Photo by Bobby Miller, 2011 On October 6th, 2011, the Provincetown Theater company will continue to enri…
Interview by Greg Waagner Photo by Rob Davidson Cross-posted from Gay Theatre NYC Review On Saturday, October 8th, the Crown and Anchor welcomes Matt Alber to the Paramount for his Province…
Review by Judd Hollander The need for commitment and the phobias which prevent lasting relationships form the basic building blocks in Completeness, Itamar Moses' delightfully engaging scien…
Review by Judd HollanderPhotos by Jacob J. Goldberg Did you ever wonder why newspapers always list the age of a person when they died but never their age when born? Or if someone is actually…
Reviewed by Judd Hollander True dancing has passion. Nowhere is that more evident than in the absolutely exquisite Irish dance revue NoÄ‹tú, presented by Ériu Dance Company at the …
Review by Judd Hollander A combination of commedia dell'arte and an Irish history lesson, with political posturing and old-fashioned melodrama thrown in, Inis Nua Theatre serves up the intri…
Review by Judd Hollander Many plays go through multiple changes and versions before their final form, but seldom as much as with The Pretty Trap by Tennessee Williams, a one-act comedy/drama…
Review by Judd Hollander There's something about cabdrivers that makes them easy to talk to and confide in. As with bartenders, priests and psychiatrists, listening is part of the taxi drive…