479 stories by "Cameron Kelsall"
Broadway powerhouses Marin Mazzie and Jason Danieley bring their intimate cabaret to Princeton's McCarter Theatre. Cameron Kelsall reviews.
As black women in the United States reclaim their time and refuse to be silenced, 'The Color Purple' feels more relevant than ever. Cameron Kelsall reviews.
Several strong performances cannot overcome City Theater Company's muddled interpretation of 'Sunday in the Park with George.' Cameron Kelsall reviews.
Curio Theatre Company presents an astonishingly fresh take on Beth Henley's 'Crimes of the Heart.' Cameron Kelsall reviews.
Curtis Opera Theatre offers a chilly take on Tchaikovsky's 'Eugene Onegin.' Cameron Kelsall reviews.
Bruce Graham uses 'The Craftsman' to confront his critics, but the result is more screed than storytelling. Cameron Kelsall reviews.
Hammonton, New Jersey's Eagle Theatre revises 'The Fantasticks,' with diminishing returns. Cameron Kelsall reviews.
Cameron Kelsall reviews Theresa Rebeck's trenchant workplace comedy.
The post Review: What We’re Up Against at WP Theater (McGinn/Cazale) appeared first on Exeunt Magazine.
Bristol Riverside Theatre's production of Ronald Harwood's classical music comedy 'Quartet' plays painfully out of tune. Cameron Kelsall reviews.
Federico GarcÃa Lorca becomes an afterthought in the Wilma's unfocused 'Blood Wedding.' Cameron Kelsall reviews.
Ripe Time's convoluted take on Haruki Murakami's short story 'Sleep' shows the perils of adaptation. Cameron Kelsall reviews.
Act II Playhouse's revival of Michael Hollinger's 'Red Herring' will win you over hook, line, and sinker. Cameron Kelsall reviews.
Cameron Kelsall reviews Zoe Kazan's futuristic domestic drama.
The post Review: After the Blast at Claire Tow Theater at Lincoln Center appeared first on Exeunt Magazine.
Cameron Kelsall reviews Keen Company's revival of Steven Dietz's response to the HIV/AIDS epidemic.
The post Review: Lonely Planet at Clurman Theatre (at Theatre Row) appeared first on Exeun…
At long last, MJ Kaufman's "no review" world premiere 'Destiny Estimate' gets its review; Cameron Kelsall is glad he had the opportunity to weigh in.
Hedgerow Theatre's take on Noël Coward's supernatural comedy 'Blithe Spirit' remains earthbound. Cameron Kelsall reviews.
Lisa Kron skillfully explores her father's past in a funny and poignant solo play at Theatre Horizon. Cameron Kelsall reviews.
Bristol Riverside Theatre spells success with its production of 'The 25th Annual Putman County Spelling Bee.' Cameron Kelsall reviews.
Media Theater's maddeningly inconsistent 'Carousel' can be chiefly characterized by what it lacks. Cameron Kelsall reviews.
Philadelphia playwright George Kelly once dominated Broadway. A rare revival of his 1924 comedy 'The Show-Off' suggests why. Cameron Kelsall reviews.
Cameron Kelsall calls bullshit at the hell Max Posner reserves for an over-burdened son.
The post Review: The Treasurer at Playwrights Horizons appeared first on Exeunt Magazine.
More often than not, the Walnut Street Theater's production of 'Souvenir' turns Florence Foster Jenkins into an object of ridicule. Cameron Kelsall reviews.
At Act II Playhouse, Tony Braithwaite offers a sterile paean to life behind the curtain. Cameron Kelsall reviews.
Jon Robin Baitz's attempt at a theatrical dark night of the soul merely scratches the surface of the fractious American family. Cameron Kelsall reviews.
Bucks County Playhouse's refreshingly traditional production of 'Guys and Dolls' doesn't rock the boat. Cameron Kelsall reviews.
