The Kimmel Cultural Campus presents the national tour of Dear Evan Hansen
Once a cultural phenomenon, Dear Evan Hansen now feels manipulative and misguided as its national tour plays Philadelphia. Cameron Kelsall reviews.
Once a cultural phenomenon, Dear Evan Hansen now feels manipulative and misguided as its national tour plays Philadelphia. Cameron Kelsall reviews.
Grand Horizons at People's Light explores the fallout from the end of a long marriage, but Bess Wohl's boulevard comedy chooses cheap laughs over high stakes. Cameron Kelsall reviews.
EgoPo Classic Theater finally concludes its survey of Sam Shepard with his brutal, bitingly funny Curse of the Starving Class. Cameron Kelsall reviews.
Despite a stylish physical production, Quintessence Theatre's Camille lacks the passion of traditional melodrama and the perspective needed for a contemporary reinvention. Cameron Kelsall re…
The Arden takes another trip Into the Woods, with delightful and poignant results. Cameron Kelsall reviews.
Fencing and friendship are equally dangerous sports in Athena, a razor-sharp coming-of-age comedy at Theatre Horizon. Cameron Kelsall reviews.
Ana Nogueira pens "a love letter to the geeks, queerdos, and obsessives" and their complicated relationship with musical theatre and each other. Cameron Kelsall reviews. The post Review: Wh…
The Philadelphia Orchestra's string players took the spotlight in a performance anchored by Vivaldi's The Four Seasons, with guest soloist Gil Shaham. Cameron Kelsall reviews.
Thornton Wilder's ever-relevant play returns in a powerful, but inconsistent revival at Lincoln Center. Cameron Kelsall reviews. The post Review: The Skin of Our Teeth at the Vivian Beaumon…
In Where We Belong, a compelling but uneven solo work at Philadelphia Theatre Company, Madeline Sayet explores what it means to study Shakespeare from an Indigenous perspective. Cameron Kels…
The Met premieres another new production of Donizetti's opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews. The post Review: Lucia di Lammermoor at the …
Lady Day at Emerson's Bar and Grill at Curio Theatre offers a complex, entertaining portrait of Billie Holiday's final Philadelphia performance. Cameron Kelsall reviews.
In Backing Track, a world premiere at the Arden, R. Eric Thomas offers a warm, witty portrait of a multigenerational Black queer family. Cameron Kelsall reviews.
TJ Loves Sally 4 Ever, a world premiere from James Ijames at Theatre Horizon, asks its characters, and its audience, to wrestle with the complicated concept of inheritance. Cameron Kelsall r…
Despite strong performances, Marsha Norman's 'Night, Mother shows its age in a staging from Isis Productions. Cameron Kelsall reviews.
Conductor Jeffrey Brillhart and the Chamber Orchestra of Philadelphia highlighted the diversity of early modern music, showing how much vigor still resides in these oft-dismissed composition…
The touring production of Hadestown, a wildly popular retelling of the Orpheus and Eurydice myth, arrives at the Academy of Music with energy and verve. Cameron Kelsall reviews.
Quintessence Theatre offers a modern, vibrant riff on Sophocles with Seamus Heaney's The Cure at Troy. Cameron Kelsall reviews.
Mussorgsky's vivid Pictures at an Exhibition and a remarkable concerto by local composer Ke-Chia Chen enlivened the Philadelphia Orchestra's most recent concerts, led by debuting conductor D…
The Tyrones face the opioid crisis and Covid-19 in Robert O'Hara's contemporary production. Cameron Kelsall reviews. The post Review: Long Day's Journey into Night at the Minetta Lane Theatr…
EgoPo Classic Theater offers a rich portrait of connection through art in Alice Childress's Wine in the Wilderness. Cameron Kelsall reviews.
The Arden Theatre Company's long-delayed staging of A Streetcar Named Desire lacks realism and magic. Cameron Kelsall reviews.
Chrystal E. Williams made her PCMS recital debut with an intriguing but uneven program. Cameron Kelsall reviews.
In What the Constitution Means to Me, playwright Heidi Schreck examines the personal and political intersections of our country's laws. Cameron Kelsall reviews an engagement of the national …
In her first concerts as principal guest conductor of the Philadelphia Orchestra, Nathalie Stutzmann balances repertory warhorses and new music with fresh ideas and attention to detail. Came…