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149 stories by "Camilla Gurtler"

Review: Madame X, Grimeborn Opera Festival, Arcola Theatre by Camilla Gurtler

The Arcola has opened the doors to its annual Grimeborn Opera Festival, showing its great diversity and flavour in its programming but also that it's a theatre that welcomes new work from ma…

SOURCE: A Younger Theatre at 2:45pm on August 26, 2014[SHARE]

Review: Sommer 14 " A Dance of Death, Finborough Theatre by Camilla Gurtler

The country is marking the centenary of WW1 this year with countless events and productions inspired by the outbreak of WW1 in 1914 and its consequences for our heritage, a generation los…

SOURCE: A Younger Theatre at 6:46am on August 10, 2014[SHARE]

Review: Shakespeare in Love, Noël Coward Theatre by Camilla Gurtler

Marc Norman and Tom Stoppard's screen play Shakespeare In Love took the public by storm, and even though critics weren't exactly impressed (when are they ever) it harvested several Oscars an…

SOURCE: A Younger Theatre at 6:00pm on July 23, 2014[SHARE]

Review: The Events, Young Vic Theatre by Camilla Gurtler

Following its sold-out run in 2013, The Events return to the Young Vic questioning how far our humanity and forgiveness can stretch. Exploring what it is that makes us human and how we const…

SOURCE: A Younger Theatre at 7:03am on July 14, 2014[SHARE]

Review: La Bohème, Royal Opera House by Camilla Gurtler

Some stories live in our hearts forever. Particularly great love stories " and always tragic ones, notably " stay with us, haunt us and somehow make us believe in the better in mankind, desp…

SOURCE: A Younger Theatre at 5:52am on July 14, 2014[SHARE]

Review: What the Ladybird Heard, Richmond Theatre by Camilla Gurtler

It has been said by many theatre-practitioners (and most recently by David Wood in an interview with Lyn Gardner) that creating theatre for younger audiences is not only one of the most rewa…

SOURCE: A Younger Theatre at 5:23am on July 7, 2014[SHARE]

Review: East of Berlin, Southwark Playhouse by Camilla Gurtler

Theatre at its best should be thought-provoking but with tones of lightness making it a mix of enjoyment and heartache, stimulating both the mind and soul. In the financial crisis it seems t…

SOURCE: A Younger Theatre at 5:01am on July 7, 2014[SHARE]

Review: Forbidden Broadway, Menier Chocolate Factory by Camilla Gurtler

Forbidden Broadway, the cult off-Broadway musical revue, has hit Menier Chocolate Factory and is ready to spice up the world of musical theatre with saucy, on-point slaps to old as well as n…

SOURCE: A Younger Theatre at 4:51am on July 7, 2014[SHARE]

Review: Ariadne auf Naxos, Royal Opera House by Camilla Gurtler

What is so powerful about Greek mythology is that its worldly themes have survived a myriad of generations. What was a re-telling of the human condition, meant to entertain and move its rece…

SOURCE: A Younger Theatre at 2:36pm on June 29, 2014[SHARE]

Review: Hobson's Choice, Regent's Park Open Air Theatre by Camilla Gurtler

One of the treasures of the London theatre scene is when summer finally shows its face and the open air season begins. There is a charming sense of community when one is sharing a theatrical…

SOURCE: A Younger Theatre at 1:30pm on June 23, 2014[SHARE]

Review: The Corruption of Dorian Gray, Lion and Unicorn Theatre by Camilla Gurtler

Oscar Wilde's provocative tale of the innocent Dorian Gray's transformation from virtue into a life of hedonism is often retold on stage and is a wonderful play of vanity, sex and the comple…

SOURCE: A Younger Theatre at 12:29pm on June 16, 2014[SHARE]

Review: Benvenuto Cellini, English National Opera by Camilla Gurtler

Terry Gilliam, member of cult comedy team Monty Python, is renowned for his anarchic style, vivid imagination, and his use of surreal imagery in his storytelling. With his successful directi…

SOURCE: A Younger Theatre at 5:10pm on June 9, 2014[SHARE]

Review: A Midsummer Night's Dream, The Globe by Camilla Gurtler

When the Globe opened the doors for foreign companies performing Shakespeare in their native language with Globe to Globe in 2012, they opened up Shakespeare's beloved texts to new possib…

SOURCE: A Younger Theatre at 12:59pm on June 4, 2014[SHARE]

Review: Between Us, Arcola Theatre by Camilla Gurtler

John Burgess' new production Between Us at the Arcola Theatre mixes stand-up and thought-provoking monologues, questioning inequality and how we are living our lives today. Not easy to diges…

SOURCE: A Younger Theatre at 6:06am on June 1, 2014[SHARE]

Review: The Animals and Children Took to the Streets, National Theatre by Camilla Gurtler

With technology booming in the creative world, the argument is that some things should be left to blossom on its own, without high-tech interference. Some say a simple set and natural stagin…

SOURCE: A Younger Theatre at 10:58am on May 29, 2014[SHARE]

Review: Così Fan Tutte, English National Opera by Camilla Gurtler

Così Fan Tutte, Mozart's dark comic opera, tells the story of love, fidelity and desire in a new production at the ENO by the exciting theatre company Improbable. Exploring 1950s Coney Is…

SOURCE: A Younger Theatre at 5:08pm on May 20, 2014[SHARE]

Review: Desdemona: A Play About A Handkerchief, Park Theatre by Camilla Gurtler

Othello is one of Shakespeare's most beloved tragedies, a play that reveals a very true image of the human condition with jealousy, passion and betrayal. Othello is a victim of his own tempe…

SOURCE: A Younger Theatre at 1:47pm on May 19, 2014[SHARE]

Review: Tragédie, Sadler's Wells by Camilla Gurtler

"Through song and through dance, the human being manifests his belonging to a superior community; he has unlearnt to walk and to speak and, by dancing, he is on the point of taking a flight …

SOURCE: A Younger Theatre at 9:35am on May 10, 2014[SHARE]

Review: Thebans, English National Opera by Camilla Gurtler

As Thebans, a new opera by Julian Anderson, has its world première at the London Coliseum, ENO proves its commitment to the future of opera and nurturing new work and talent, bringing Sopho…

SOURCE: A Younger Theatre at 2:45pm on May 5, 2014[SHARE]

Review: Le Nozze Di Figaro, Royal Opera House by Camilla Gurtler

Opera is an exceptional art form " to speak five languages fluently, master your lung capacity as well as a professional freediver and be able to produce a sound that can break glass, but al…

SOURCE: A Younger Theatre at 6:22am on May 5, 2014[SHARE]

Review: Alice in Wonderland, The Cockpit Theatre by Camilla Gurtler

Last summer Iris Theatre conquered Covent Garden as their smash hit production of Alice in Wonderland enchanted and entertained audiences in the hidden grounds of St. Paul's Church. Going th…

SOURCE: A Younger Theatre at 8:02am on April 19, 2014[SHARE]

Review: The Malcontent, Sam Wanamaker Playhouse by Camilla Gurtler

In September 2013 the Globe held auditions for their Globe Young Players, a new initiative aimed at giving new young talent a once in a lifetime opportunity to train with the theatre's profe…

SOURCE: A Younger Theatre at 4:14am on April 17, 2014[SHARE]

Review: Minotaur, Polka Theatre by Camilla Gurtler

All children want their parents to be there for them, to care for them and protect them. But when a parent is deployed and leaves for military service, the balance is disrupted and it's hard…

SOURCE: A Younger Theatre at 12:45pm on April 13, 2014[SHARE]

Review: King Charles III, Almeida Theatre by Camilla Gurtler

With Elizabeth II's reign coming to an end in the foreseeable future, tension over the future of the throne raises questions " not only of how Charles will succeed her and if he in fact shou…

SOURCE: A Younger Theatre at 12:38pm on April 13, 2014[SHARE]

Review: The Prince of the Pagodas, London Coliseum by Camilla Gurtler

What is incredible about dance productions is the realisation that words are not always necessary and that so much is expressed through our body language. A three-hour story can be told thro…

SOURCE: A Younger Theatre at 6:28am on March 28, 2014[SHARE]
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