Ubu and the Truth Commission unleashes puppet dogs of war
Handspring Puppet Co., known for War Horse, enlivens play about South African atrocities with its creatures.
Handspring Puppet Co., known for War Horse, enlivens play about South African atrocities with its creatures.
In Quebec playwright Michel Marc Bouchard's Tom At The Farm a gay man is caught between comforting his late lover's family and keeping his secret from them.
Playwright Hannah Moscovitch charters unknown scientific territory with some familiar artillery in this Tarragon Theatre show.
Brandon Crone's play about a sexual dominator and his teenage nephew moves along comfortably until the last 10 minutes.
Allegra Fulton and Diana Belshaw are commendable playing aboriginal women, but staging doesn't allow us to delight in their achievements.
Sky Gilbert's new production opens at Theatre Passe Muraille Backspace.
Sheila Heti's All Our Days Are Stupid started out as a 'ragtag' production of a once 'unstageable' script in a tiny storefront.
In modern-day update Charlotte Corbeil-Coleman and Joseph Jomo Pierre now on at Factory Theatre, Nancy and Ollie are in love and communicate by text message.
Tamsin Kelsey brings bite to Sharr White's protagonist Juliana, ably supported by Jim Mezon, Haley McGee and Joe Cobden.
We feel surprisingly little for the patients in Kim Ardal's play about breast cancer, despite some crackling performances.
Jordan Pettle, Michelle Monteith and Jane Spidell wonderful as parents of sick children, but some scenes push us into hospital soap opera territory.