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234 stories by "Catey Sullivan"

Review: Beauty's Daughter (American Blues Theater) by Catey Sullivan

With Beauty's Daughter, Playwright Dael Orlandersmith returns to the broken beauty of Harlem, where she came of age. Directed by Ron OJ Parson, and starring the indelible Wandachristine, thi…

SOURCE: Chicago Theater Beat at 9:06pm on July 17, 2017[SHARE]

Review: Something Rotten! (Broadway in Chicago) by Catey Sullivan

As national tours go, Something Rotten! is something splendid - a mindess but gleeful hoot-and-a-half. If you aren't laughing five minutes in, you seriously need to lighten up. Highly Recom…

SOURCE: Chicago Theater Beat at 8:48pm on July 15, 2017[SHARE]

Review: The School for Lies (The Artistic Home) by Catey Sullivan

Moliere penned The School for Lies more than 350 years ago, but in David Ives' insouciant, gleefully anachronistic reboot, the satire still glitters and cuts like fine-cut diamonds. The rhym…

SOURCE: Chicago Theater Beat at 7:42pm on July 12, 2017[SHARE]

Review: How to Be a Rock Critic (Steppenwolf Theatre) by Catey Sullivan

Rock critic Lester Bangs didn't live long " he died at 33 after overdosing on cough syrup " but his short career chronicling the gods of rock and roll had lasting impact. In the one-man show…

SOURCE: Chicago Theater Beat at 5:36pm on July 12, 2017[SHARE]

Review: The Gin Game (Drury Lane Theatre) by Catey Sullivan

The plot of D. L. Coburn's 100-minute, two-person drama sounds so simple you wonder how it could possibly be a compelling drama: Two people play half a dozen hands of gin. Yet within this sm…

SOURCE: Chicago Theater Beat at 7:48pm on July 6, 2017[SHARE]

Review: Ah, Wilderness! (Goodman Theatre) by Catey Sullivan

Enter the world of most Eugene O'Neill plays and you'll find yourself in a world of hurt. The exception that proves the rule is Ah, Wilderness!, O'Neill's sole romantic comedy. Set on the 4t…

SOURCE: Chicago Theater Beat at 8:32pm on July 3, 2017[SHARE]

Review: The King and I (Broadway in Chicago) by Catey Sullivan

Visually sumptuous and sonically gorgeous, Broadway in Chicago's opulent national tour of The King and I is a throwback to the golden era of Rodgers and Hammerstein. Highly Recommended! (rea…

SOURCE: Chicago Theater Beat at 11:18pm on June 30, 2017[SHARE]

Review: Native Gardens (Victory Gardens Theater) by Catey Sullivan

Holy Virginia Creeper On a Stick. Not since before the November election have I laughed as long, hard and cathartically as I did at Karen Zacarias' Native Gardens. But what starts as a comed…

SOURCE: Chicago Theater Beat at 12:36am on June 30, 2017[SHARE]

Review: Pass Over (Steppenwolf Theatre) by Catey Sullivan

Steppenwolf's world premiere Pass Over is the rare drama that will keep you utterly rapt from start to finish, while also spinning an unforgettable commentary on the problems that plague 21s…

SOURCE: Chicago Theater Beat at 6:48pm on June 27, 2017[SHARE]

Review: Relativity (Northlight Theatre) by Catey Sullivan

Playwright Mark St. Germain's intriguing Relativity, directed by BJ Jones, goes far deeper than the famously tousled shock of white hair that Einstein will forever be associated with. As Ein…

SOURCE: Chicago Theater Beat at 6:48pm on June 17, 2017[SHARE]

Review: Parade (Writers Theatre) by Catey Sullivan

Under Gary Griffin's direction, the musical Parade is an exquisitely rendered ensemble piece defined by richly nuanced performances and sonic majesty. Anchored by Patrick Andrews as Leo Fran…

SOURCE: Chicago Theater Beat at 2:05am on June 14, 2017[SHARE]

Review: T. (American Theater Company) by Catey Sullivan

With the funny, perceptive T., playwright Dan Aibel's shows that an infamous sports attack didn't happen in a vacuum. Figure skating (and society's) rigid rules about how women should behave…

SOURCE: Chicago Theater Beat at 12:18am on June 4, 2017[SHARE]

Review: Paradise Blue (TimeLine Theatre) by Catey Sullivan

There's a fascinating, important story in Detroit's Black Bottom community, both in its thriving heyday and in the institutionalized racism that erased it. Playwright Dominique Morisseau sta…

SOURCE: Chicago Theater Beat at 11:06pm on June 1, 2017[SHARE]

Review: Chicago the Musical (Drury Lane Theatre) by Catey Sullivan

After over a decade of pursuing the elusive rights to the show, Drury Lane finally got the green light to put their stamp on John Kander's and Fred Ebb's classic musical. Director William Os…

SOURCE: Chicago Theater Beat at 11:12pm on May 26, 2017[SHARE]

Review: Shakespeare in Love (Chicago Shakespeare) by Catey Sullivan

Sparkling wit, a feel-good romance and a sexy, sassy, intelligent heroine - with those elements firmly in place, Chicago Shakespeare's Shakespeare in Love is just the thing to usher in the s…

SOURCE: Chicago Theater Beat at 7:54pm on May 20, 2017[SHARE]

Review: She Loves Me (Marriott Theatre) by Catey Sullivan

As romances go, She Loves Me, by Sheldon Harnick and Jerry Bock, is as pretty as a glossy-page perfume insert. In the Marriott Lincolnshire production, It is also just about as deep. Slightl…

SOURCE: Chicago Theater Beat at 9:36pm on May 18, 2017[SHARE]

Review: Objects in the Mirror (Goodman Theatre) by Catey Sullivan

As a piece of storytelling, Objects in the Mirror is riveting. Playwright Charles Smith's world premiere drama about a Liberian refugee is so fraught with tension that it makes you forget to…

SOURCE: Chicago Theater Beat at 10:42pm on May 17, 2017[SHARE]

Review: Jesus Christ Superstar (Paramount Theatre) by Catey Sullivan

It's tough to find words to describe the the vocal magnificence and dramatic intensity of Paramount Theatre's extraordinary production of Jesus Christ Superstar. Andrew Lloyd Webber (music) …

SOURCE: Chicago Theater Beat at 11:05pm on May 10, 2017[SHARE]

Review: My Fair Lady (Lyric Opera of Chicago) by Catey Sullivan

There's no denying that My Fair Lady is a sonic masterpiece. For a gloriously full-throated, lushly orchestrated rendition of Alan Jay Lerner and Frederick Loewe's 1956 classic, the Lyric Op…

SOURCE: Chicago Theater Beat at 1:24am on May 4, 2017[SHARE]

Review: 3C (A Red Orchid Theatre) by Catey Sullivan

With 3C, David Adjmi deconstructs the inherent hatefulness of the 70's sitcom Three's Company. Watch the show today, and you'll cringe at how it dehumanizes gay men, turning them into nothi…

SOURCE: Chicago Theater Beat at 2:18am on May 2, 2017[SHARE]

Review: Aladdin (Broadway in Chicago) by Catey Sullivan

There's not a child in the land who wouldn't love Disney's Aladdin. The music is terrific, from the adventuresome romance of "Whole New World," to the splendor-on-steroids treasure cave glam…

SOURCE: Chicago Theater Beat at 12:24am on May 1, 2017[SHARE]

Review: The Most Happy Fella (Theo Ubique Cabaret Theatre) by Catey Sullivan

Frank Loesser's score has some fine moments, Adam Veness' vineyard set is impressive, and newcomer Molly Hernandez' powerful soprano and radiant stage presence is a huge new talent who seems…

SOURCE: Chicago Theater Beat at 7:31pm on April 28, 2017[SHARE]

Review: Queen (Victory Gardens Theater) by Catey Sullivan

Madhuri Shekar's Queen a is fascinating, provacative world premiere about the science and research surrounding bee ecology. The dialogue is witty and insightful that delves both the sense a…

SOURCE: Chicago Theater Beat at 2:02am on April 28, 2017[SHARE]

Review: Marry Me a Little (Porchlight Music Theatre) by Catey Sullivan

In Porchlight Music Theatre's 70-minutes two-hander romance of Stephen Sondheim out-takes, Austin Cook and Bethany Thomas deliver sonic wonders and emotional depth. The songs of Marry Me a L…

SOURCE: Chicago Theater Beat at 2:54am on April 26, 2017[SHARE]

Review: Linda Vista (Steppenwolf Theatre) by Catey Sullivan

Playwright Tracy Letts certainly knows how to deliver dialogue that's balanced on a razor-wire between edgy and Neil Simon. With Linda Vista, he's does this deftly, scoring numerous audience…

SOURCE: Chicago Theater Beat at 1:48am on April 24, 2017[SHARE]
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